{"title":"4AD","description":"","products":[{"product_id":"dry-cleaning-stumpwork-4ad","title":"Dry Cleaning - Stumpwork (Limited Edition on Black Recycled Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eStumpwork\u003c\/i\u003e, the follow-up to 2021’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNew Long Leg\u003c\/i\u003e. The South London-based group’s first studio album, recorded in just two weeks with producer John Parish at the iconic Rockfield Studios, became a huge critical and commercial success reaching #4 in the UK Album Charts and featuring in best-of-2021 polls across the board. Buoyed by its success, Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) returned to rural Wales in late 2021, partnering once more with Parish and engineer Joe Jones. Working from a position of trust in the same studio and with the same team, imposter syndrome and anxiety was replaced by a fresh freedom and openness to explore beyond an already rangy sonic palette, a newfound confidence in their creative vision. A longer period in the studio afforded the time to experiment, improvise, play, sharpen their table tennis skills.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eStumpwork\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas inspired by a plethora of events, concepts, and political debacles, be they represented in the icy mess of ambient elements reflecting a certain existential despair, or the surprising warmth in celebrating the lives of loved ones lost through the previous year. Surrealist lyrics are as ever at the forefront – but there is a sensitivity now to the themes of family, money, politics, self-deprecation, and sensuality. Furious alt-rock anthems combine across the record with jangle pop and ambient noise, demonstrating the wealth of influences the band feed off and their deep musicality. With the pressure of their debut album behind them, Dry Cleaning have crafted an ambitious and deeply rewarding new work that marks them out as one of the most intelligent and exciting acts to come out of the UK.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe album and single artwork were conceived and created by multi-disciplinary artists Rottingdean Bazaar and photographer Annie Collinge. James Theseus Buck and Luke Brooks of Rottingdean Bazaar first worked with Dry Cleaning directing the official video for ‘Scratchcard Lanyard’ and as their creative partnership with the band continues to flourish, they have fashioned a brilliantly unique visual identity for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eStumpwork\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4111255874\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/drycleaning.bandcamp.com\/album\/stumpwork\"\u003eStumpwork by Dry Cleaning\u003c\/a\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Limited Edition on Recycled Vinyl","offer_id":43909625872648,"sku":"6","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"White Vinyl","offer_id":43909625938184,"sku":"1","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/62a8aadf4983a.jpg?v=1672764690"},{"product_id":"bon-iver-for-emma-forever-ago-black-vinyl","title":"Bon Iver - For Emma, Forever Ago (Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e'For Emma, Forever Ago' was recorded during a three month stay in a log cabin somewhere in the woods of America. Two mics, a guitar, two drums, some instrumental flourishes and some effects were all that was used to create something so soaring and passionate it's hard to believe it was born from somewhere so cut off. You could use reference points such as Smog, TV On The Radio, Sufjan Stevens and Iron and Wine to get some idea of where you are about to go yet Bon Iver aka Justin Vernon always seems to add a little bit extra. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the multi-tracked wonderful opener \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFlume\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e to the choral throb of L\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eump Sum\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e via the minimal hum of T\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ehe Wolves\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e to the absolute quiet of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eRe: stacks\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e this album is pure gold. and we still haven't mentioned his voice! quiet and soothing one minute, cracked and desperate the next. Truly original and a definite must.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43949679149320,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/3357c86d-62a8-4542-a568-0904b29ce3dd.webp?v=1673439448"},{"product_id":"helado-negro-far-ir-double-black-vinyl-surprise-gift","title":"Helado Negro - Far Ir (Double Black Vinyl + Surprise Gift)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoberto Carlos Lange, aka songwriter \/ producer Helado Negro, releases his new album\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eFar In\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, on 4AD. His first release on the acclaimed label, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFar In\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e follows 2019’s deservingly acclaimed \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThis Is How You Smile\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a spellbinding and serene record that tracks Lange’s experiences as a Latinx individual reckoning with spiritual awakening. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eFar In\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e embraces that mysticism, with Lange saying it ”’celebrates the ghosts,’ embracing pleasure and freedom to follow the metaphysical further.” Written in Marfa, Texas, during the brutal summer of 2020, it stands as a testament to resilience, as Lange says “escape is never out there, you have to go inward.”\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43955796574472,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/7f4e4942-394b-48d0-b551-98c356c6c259_thumbnail_1024.webp?v=1673531181"},{"product_id":"holly-herndon-proto-black-vinyl","title":"Holly Herndon - Proto (Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHolly’s third full-length album \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eProto\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e isn’t about A.I., but much of it was created in collaboration with her own A.I. ‘baby’, Spawn. For the album, she assembled a contemporary ensemble of vocalists, developers and an inhuman intelligence housed in a DIY souped-up gaming PC to create a record that encompasses live vocal processing and timeless folk singing, and places an emphasis on alien song craft and new forms of communion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-UMyrj ivAgLv\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-gpcHMt bgmYbB kBriEw\" data-testid=\"description-product\"\u003e\n\u003cp\u003eJust as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePlatform\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eforewarned of the manipulative personal and political impacts of prying social media platforms long before popular acceptance,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eProto\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a euphoric and principled statement setting the shape of things to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43956131922184,"sku":"","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/df2ce96f-089d-4efb-b8fb-307735964594.webp?v=1673535468"},{"product_id":"bartees-strange-farm-to-table-limited-edition-on-yellow-vinyl","title":"Bartees Strange - Farm to Table (Limited Edition on Yellow Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBartees Strange releases his 4AD debut album with single ‘Co-Signs’ – a braggadocious indie-trap banger name-checking collaborators including Bon Iver, Phoebe Bridgers and Lucy Dacus. Opening by way of club-ready bass and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e808s and Heartbreaks\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e autotune, the hip hop flavor rapidly ascends to a euphoric, epic indie rock crescendo – showing off Bartees’ wide musical appeal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith his career firmly on the ascent, \u003c\/span\u003e\u003ci\u003eFarm to Table\u003c\/i\u003e\u003cspan\u003e examines Bartees’ constantly shapeshifting relationship with life post-\u003c\/span\u003e\u003ci\u003eLive Forever.\u003c\/i\u003e\u003cspan\u003e It also speaks to a deeper lore that says, don’t forget where you came from, and this album is why. Always remembering where he came from, across 10 songs Bartees is celebrating the past, moving towards the future, and fully appreciating the present.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43984801431816,"sku":"","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/d1910678-be56-4f61-88e8-c1174d2230fb.webp?v=1673958631"},{"product_id":"u-s-girls-bless-this-mess-limited-edition-on-lipstick-red-vinyl","title":"U.S. Girls - Bless This Mess (Limited Edition on Lipstick Red Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe highly anticipated eighth album by U.S. Girls, the nom de plume of North American multi-disciplinary and experimental pop artist Meg Remy, entitled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBless This Mess\u003c\/i\u003e. A dynamic suite of dexterous melodies and a nuanced artistic response to the complexities of motherhood,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBless This Mess\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas crafted in tandem with the conception and birth of Remy’s twin boys. It expands the sonic and thematic palette of U.S. Girls, fusing the muses of funk, mythology, and the radical disorientation of joy into an electric tapestry of anthems, aches, and awakenings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs Remy’s body changed so did her voice; her diaphragm lost breathing room, adjusting to the growing lives inside. Many takes on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBless This Mess\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewere tracked with the babies in utero, or in her arms. (She even samples her breast pump on the album’s poetic closing cut, “Pump”). The resulting performances are suffused by the physicality of this journey: more blood, more feelings, the interwoven wonders, and wounds of procreation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ten songs on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBless This Mess\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewere pieced together stem by stem with a vast cast of collaborators (Alex Frankel of Holy Ghost!, Marker Starling, Ryland Blackinton of Cobra Starship, Basia Bulat, Roger Manning Jr. of Jellyfish and Beck,) and audio engineers (Neal H Pogue, Ken Sluiter, Steve Chahley, Maximilian Turnbull). Long-time collaborator, husband, and co-parent Turnbull played a key role facilitating these fluid muses. The production throughout is exquisite, warm, and wood-panelled, framing the voice, keys, bass, and rhythms in heightened textural harmony.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44184002756872,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/U.webp?v=1676730445"},{"product_id":"this-mortal-coil-blood-reissue-deluxe-edition-on-double-black-vinyl","title":"This Mortal Coil - Blood \"Reissue\" (Deluxe Edition on Double Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe last of three albums by 4ad boss Ivo Watts-Russell and friends is another smooth collage of arty, sophisticated pop. Long and sprawling, it follows their familiar pattern of covers of semi-obscure songwriter's songs, linked by short instrumental passages. as in regular singer-songwriter music, the songs all have an intimate feel, putting the singer right up front at the centre. but it's far too other-worldly to be called folky. From start to finish, the songs and instrumentals are backed with ethereal washes of sound, varying from slinky string sections, floaty synths. shoegazing fuzz to industrial clanking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeluxe Vinyl which is different from the original release with the artwork reimagined by Ivo Watts-Russell and Vaughan Oliver (4AD’s long-time visual partner). Presented in a beautiful, hand finished and high-gloss gatefold sleeve. Remastered audio made from the original analogue studio tapes by the late, great John Dent.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44217637732616,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/Blood.jpg?v=1677176017"},{"product_id":"the-national-first-two-pages-of-frankenstein-opaque-red-vinyl-april-28","title":"The National - First Two Pages of Frankenstein (Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe National announce the release of their ninth studio album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFirst Two Pages of Frankenstein\u003c\/em\u003e, due April 28 2023 via 4AD. Anchored by evocative melodies and an enthralling lyrical narrative,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFirst Two Pages of Frankenstein\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esignals a new chapter in the band’s beloved discography. The 11-song album was produced by The National at Long Pond Studios in upstate New York and features guest appearances by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTaylor Swift\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePhoebe Bridgers\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSufjan Stevens\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter two back-to-back albums and several busy years of touring,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFirst Two Pages of Frankenstein\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas initially stalled while lead singer Matt Berninger navigated, “a very dark spot where I couldn’t come up with lyrics or melodies at all… Even though we’d always been anxious whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.” Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist\/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar\/piano\/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe band has also shared the first single off the album, the deceptively upbeat “Tropic Morning News”. Partly recorded live in Hamburg, the song merges its mercurial textures and kinetic rhythms with a lush, yet subtle grandeur achieved through Bryce Dessner’s work with the London Contemporary Orchestra. “When Matt came in with that song in the depths of his depression, it felt like a turning point for us,” says Aaron Dessner. “It’s almost Dylan-esque in its lyrics and it’s so much fun to play; everything suddenly felt like it was coming alive again.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCo-written with Berninger’s wife Carin Besser, “Tropic Morning News” takes its title from a phrase Besser invented to describe the regrettably routine practice of doom-scrolling. “The idea of referring to the darkness of the news in such a light way unlocked something in me,” says Berninger. “It became a song about having a hard time expressing yourself, and trying to connect with someone when the noise of the world is drowning out any potential for conversation.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFirst Two Pages of Frankenstein\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003echannels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with The National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44226370208008,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/362657-10.jpg?v=1677329626"},{"product_id":"mark-lanegan-blues-funeral-double-black-vinyl","title":"Mark Lanegan - Blues Funeral (Double Black Vinyl)","description":"\u003cp\u003e\u003cem\u003eBlues Funeral\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the first Mark Lanegan Band record since 2004’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBubblegum\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIt was recorded in Hollywood, California by Alain Johannes at his 11ad studio. The music was played by Johannes and Jack Irons with appearances from Greg Dulli, Josh Homme et al.\u003c\/p\u003e\n\u003cp\u003eMark Lanegan has sung with Screaming Trees, Queens Of The Stone Age, Twilight Singers, Gutter Twins, Soulsavers and Isobel Campbell. \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44275456639240,"sku":"","price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/5661a294ac884.jpg?v=1678194579"},{"product_id":"dry-cleaning-new-long-leg-black-vinyl","title":"Dry Cleaning - New Long Leg (Black Vinyl)","description":"\u003cp\u003eDry Cleaning - the South London group of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) - will release their debut album \u003cem\u003eNew Long Leg\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon 2nd April.\u003c\/p\u003e\n\u003cp\u003eThe 10-track long-player, which includes ‘Strong Feelings’ and last year’s single ‘Scratchcard Lanyard’, was recorded over two weeks last summer at Rockfield Studios in rural Wales with producer John Parish (PJ Harvey, Aldous Harding).  Following on from their thrillingly taut 2019 EPs\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eBoundary Road Snacks and Drinks\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSweet Princess, New Long Leg\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis more ambitious and complex, with Shaw’s spoken vocals tightly intertwined with the band’s restless instrumentals.\u003c\/p\u003e\n\u003cp\u003eWith lyrics preoccupied by themes like dissociation, escapism, daydreaming, complicated feelings of love, anger, revenge, anxiety, the kitchen, lethargy, forgetfulness, and survival, Shaw says\u003cem\u003e,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“the title is ambiguous; a new long leg could be an expensive present or a growth or a table repair.”\u003c\/em\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44275706986760,"sku":"","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a2053607453_10.jpg?v=1678198362"},{"product_id":"scott-walker-sunn-o-soused-double-black-vinyl","title":"Scott Walker + Sunn O))) - Soused (Double Black Vinyl)","description":"\u003cdiv id=\"artist_intro\" class=\"fullpage_element\"\u003e\n\u003cp\u003eWhen Sunn O))) first approached Scott Walker about appearing on their 2009 album \u003cem\u003eMonoliths \u0026amp; Dimensions\u003c\/em\u003e, little did they know what it would actually lead to. Four years on, Scott was back with something even more enticing, collaborating on \u003cem\u003eSoused\u003c\/em\u003e, a body of work he was writing with them in mind.\u003c\/p\u003e\nWith a career spanning more than five decades, Scott Walker’s cult status remains as significant as ever before. Experiencing mega-stardom as part of The Walker Brothers before carving out a career as a solo crooner who released a quartet of peerless self-titled LPs that painted rich vignettes of life in the late 60s, Scott went through what felt like a massive U-turn by recording a collection of masterfully challenging albums: \u003cem\u003eClimate Of Hunter\u003c\/em\u003e (1984), \u003cem\u003eTilt\u003c\/em\u003e (1996), \u003cem\u003eThe Drift\u003c\/em\u003e (2006) and \u003cem\u003eBish Bosch\u003c\/em\u003e (2013). While there’s some truth to this artistic arc, the actual picture is a lot more complex, with his knack for introducing the disturbingly counter-intuitive and the uncanny into his songwriting dating back to the likes of 'The Plague' (1967) and ‘It’s Raining Today’ (1969).\u003c\/div\u003e\n\u003cdiv class=\"fullpage_element\"\u003eCentred around the core duo of Stephen O’Malley and Greg Anderson, Sunn O))) have been at the heart of underground and experimental metal since they began in Los Angeles back in 1998, broadening in range to increasingly encompass avant-garde and jazz dynamics to their dark music. Anderson runs Southern Lord (Sunn O)))’s usual label home), whilst O’Malley is involved in a remarkable web of projects as a musician, designer, and label head of Ideologic Organ. They appear alongside extended Sunn O))) member Tos Nieuwenhuizen on this recording.\u003c\/div\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/42qjH8L7pQW89nZjRGrUM5?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44287396217096,"sku":"","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/5660702f291b8.jpg?v=1678370676"},{"product_id":"adrianne-lenker-songs-and-instrumentals-double-black-vinyl","title":"Adrianne Lenker - songs and instrumentals (Double Black Vinyl)","description":"\u003cp\u003e\u003cem\u003esongs\u003c\/em\u003e and \u003cem\u003einstrumentals\u003c\/em\u003e are two distinct collections, both written and recorded in April after Big Thief’s March tour was abruptly cut short due to coronavirus.  After returning to the states from Europe, Lenker decamped to a one room cabin in the mountains of western Massachusetts.  “\u003cem\u003eI grew really connected to the space itself\u003c\/em\u003e,” says Lenker . “\u003cem\u003eThe one room cabin felt like the inside of an acoustic guitar -- it was such a joy to hear the notes reverberate in the space\u003c\/em\u003e.”  With a hankering to capture the feel of the space, Lenker enlisted the help of engineer  Philip Weinrobe, gathering a mass of tape machines, a binaural head, and a pile of XLR cables. \u003c\/p\u003e\n\u003cp\u003eAfter almost three weeks of setup and troubleshooting, the studio finally was operating -- although the only functioning tape recorder the duo had was Phil’s battery powered Sony Walkman.  Although at peace with the idea that they might just be recording the whole record on cassette tape, a friend was able to dig a Otari 8 Track out of storage and deliver to the pair right before they’d lost all hope.  Nine of these songs were written freshly during the recording session.  Lenker and Phil began and closed each day with an improvised acoustic guitar instrumental, later making a collage of their favorite pieces, which became the first side of the instrumentals album.  “\u003cem\u003eWe wanted to make a record that put you, the listener, in the most intimate position possible\u003c\/em\u003e,” explains Weinrobe.\u003c\/p\u003e\n\u003cp\u003e“\u003cem\u003eI had a handful of songs that I was planning on recording, but by the time Phil arrived I was on a whole new level of heartsick and the songs were flying through my ears\u003c\/em\u003e,” says Lenker.  “\u003cem\u003eI was basically lying in the dirt half the time.  We went with the flow.  A lot of the focus was on getting nourishment from our meals.  We cooked directly on the woodstove, and we went on walks to the creek every day to bathe.  I’m grateful that this music has come into existence.  These songs have helped me heal.  I hope that at least in some small way this music can be a friend to you.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eThis recording is 100% analog-analog-analog (AAA).  No digital process was used in the production of this sound recording.  Weinrobe describes the process in more detail: “\u003cem\u003eNot only does this process allow for a very specific type of sonic experience to come alive, but the process also dictates how we work.  The fine-toothed editing and micro adjustments that every modern record relies on are not available.  The computer screen is not glowing while the music is being recorded.  The entire workflow becomes a part of the music in a way that is simply not possible when working in digital audio.  AAA is a very labor and resource intensive process and it has a wide array of limitations compared to digital record making, but there is no other way we could have achieved both the capture and delivery of this music without it.\u003c\/em\u003e”\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44313270255880,"sku":"","price":31.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/5f4f7fa952068.jpg?v=1678971280"},{"product_id":"the-national-sleep-well-beast-double-white-vinyl-poster","title":"The National - Sleep Well Beast (Double White Vinyl + Poster)","description":"\u003cp\u003e\u003ci\u003eSleep Well Beast\u003c\/i\u003e, the seventh album from The National. Produced by member Aaron Dessner with additional production by Matt Berninger and Bryce Dessner. The album was mixed by Peter Katis and recorded at Aaron’s Long Pond studio in Hudson Valley, NY.\u003c\/p\u003e\n\u003cp\u003eFrom the sombre piano chords of Nobody Else Will Be There, with a weary, hollowed-out Matt Berninger sighing: “You said we’re not so tied together \/ What did you mean?” it’s clear this is an album about separation, although Berninger has stated it’s not autobiographical. Strings peek into the mix as the opener builds gently to a crescendo that never arrives.\u003c\/p\u003e\n\u003cp\u003eA stirring example of The National as masters of restraint, it would have been entirely at home on Trouble Will Find Me. A thundering tom rhythm from the ever-innovative Bryan Devendorf ushers in Day I Die and a typically wry Berninger line: “Let’s get high enough to see our problems”. It also introduces the first of several lacerating guitar riffs from the Dessner twins. Indeed, the album, scattered with electronic loops, is at turns both the band’s most and least guitar-centric. The Crazy Horse-like solo on first single The System Only Dreams In Total Darkness tears through the heart of a song built for stadiums.\u003c\/p\u003e\n\u003cp\u003e2LP - Standard Double White Vinyl in Gatefold Sleeve with Download and Poster.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44313511198984,"sku":"","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/Sleep-Well-Beast-The-National.jpg?v=1678975069"},{"product_id":"the-national-high-violet-double-black-vinyl","title":"The National - High Violet (Double Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003e'High Violet' is the Brooklyn quintet's first full-length release since 2007's acclaimed long-player 'Boxer' and all eleven tracks were recorded in the band's own studio in Brooklyn with further recording and mixing at Tarquin studios in Bridgeport, Connecticut with Peter Katis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e'High Violet' is a nervy, melodic, explosive and beautiful set of songs that find the band at the height of their collaborative powers. The music is wide-ranging in its moods, by turns intimate and rough, expansive and spare, full of stark angles and atmosphere. Berninger singing - wild, half-broken, sly - evokes a feeling of being haunted, by love, by paranoia, by something just out of reach. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e'High Violet' maybe The National's most thematically twisted record to date but it somehow also manages to be their most infectious and immediate.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44313540821256,"sku":"","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/81B19Yjl--L._UF1000_1000_QL80.jpg?v=1678975412"},{"product_id":"grimes-miss-anthropocene-limited-edition-on-pink-vinyl","title":"Grimes - Miss Anthropocene (Limited Edition on Pink Vinyl)","description":"\u003cdiv class=\"sc-hYQoXb jIDaf\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-hJZKUC bgmYbB cdmxxY\" data-testid=\"description-product\"\u003e\n\u003cp\u003eGrimes releases her long awaited new album Miss Anthropocene on 4AD. Includes the singles\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSo Heavy I Fell Through the Earth\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eViolence\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand featuring collaborations with 潘PAN and i_o.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44336758292744,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/5dcebc9b6ea4c.jpg?v=1679498333"},{"product_id":"aldous-harding-party-black-vinyl","title":"Aldous Harding - Designer (Black Vinyl)","description":"\u003cp\u003e\u003cem\u003eDesigner\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efinds the Aldous Harding hitting her creative stride.  After\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParty\u003c\/em\u003e, Harding came off a 100-date tour last summer and went straight into the studio with a collection of songs written on the road.  Reuniting with John Parish, producer of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParty\u003c\/em\u003e, Harding spent 15 days recording and 10 days mixing at Rockfield Studios, Monmouth and Bristol’s J\u0026amp;J Studio and Playpen.\u003c\/p\u003e\n\u003cp\u003eFrom the bold strokes of opening track ‘Fixture Picture’, there is an overriding sense of an enigmatic artist confident in their work, with contributions from Huw Evans (H. Hawkline), Stephen Black (Sweet Baboo), drummer Gwion Llewelyn and violinist Clare Mactaggart broadening and complimenting Harding’s rich and timeless songwriting.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44362919379208,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/5c66dcd781f45.jpg?v=1680179281"},{"product_id":"aldous-harding-warm-chris-black-vinyl","title":"Aldous Harding - Warm Chris (Black Vinyl)","description":"\u003cp\u003eAldous Harding announces details of a new studio album, the follow-up to 2019’s acclaimed\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesigner.  Warm Chris\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewill be released on 25th March\u003cem\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eand its first single ‘Lawn’ is available now accompanied by visuals created by Aldous Harding and Martin Sagadin.\u003c\/p\u003e\n\u003cp\u003eFor\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWarm Chris\u003c\/em\u003e, the New Zealand musician reunited with producer John Parish, continuing a professional partnership that began in 2017 and has forged pivotal bodies of work (2017’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParty\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the aforementioned\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDesigner\u003c\/em\u003e).  All ten tracks were recorded at Rockfield Studios and includes contributions from H. Hawkline, Seb Rochford, Gavin Fitzjohn, John and Hopey Parish and Jason Williamson (Sleaford Mods).\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44362929144072,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/61dda920db1a3.jpg?v=1680179552"},{"product_id":"sohn-trust-red-vinyl","title":"SOHN - Trust (Red Vinyl)","description":"\u003cp\u003eHaving previously lived for extended periods in Vienna and Los Angeles, London-born Sohn now resides in the pine forests of Catalunya, Spain, and it is this new environment that inspired ‘Segre’. Named for the river that feeds into the Pyrenees in Northern Catalunya, Sohn explains, “during the last years of immense change and upheaval, following that river up to our mountain home has become my way of re-centring myself.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTrust\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003emarks a seismic shift in perception and direction for the solo artist, echoing Sohn’s new responsibility as the father of three children. Moving from Los Angeles to the serenity of Catalunya and the experience of parenthood changed his mindset. “I felt this kind of openness I hadn’t felt before, and I realised I couldn’t do it alone anymore - I was missing community and friendship in life and the creative process,” Sohn says. For the first time in his decade-long career the producer invited others to help him bring a new album to life, returning to LA (where he recorded Rennen) to work with Yakob, Mike Sonier, Chris Tabron, Jesse Boykins III, Ryan Linvill, Noah Le Gros and Emile Mosseri. Community, intimacy, family, and openness are key themes on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrust\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eas the British producer reflects on his past life (Vienna in ‘Figureskating, Neusiedlersee’) and present reality (‘Montardit’, ‘Segre’). By opening up his creative process to others Toph Taylor invites the listener to experience his most intimate and personal work to date. “On [debut album]\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTremors\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eit was like I was behind glass, but\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrust\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like you could be sat in that room, and not just with me; you're sitting in this room with me, some musicians, some friends.”\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44411260567816,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/s-l1600_5_f122151e-e59f-4972-83b7-788dabccc08c.jpg?v=1681474704"},{"product_id":"big-thief-tow-hands-black-vinyl","title":"Big Thief - Tow Hands (Black Vinyl)","description":"\u003cp\u003eBig Thief had only just finished work on their 3rd album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– “\u003cem\u003ethe celestial twin\u003c\/em\u003e” – days before in a cabin studio in the woods of Washington State.  Now it was time to birth\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e’s sister album – “\u003cem\u003ethe earth twin\u003c\/em\u003e” –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e.  30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. Where\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elayered mysterious sounds and effects for levitation,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003egrounds itself on dried-out, cracked desert dirt. \u003c\/p\u003e\n\u003cp\u003eIn sharp contrast to the wet environment of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eU.F.O.F.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esession, the southwestern Sonic Ranch studio was chosen for its vast desert location.  The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session.  \u003cem\u003eTwo Hands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehad to be completely different— an album about the Earth and the bones beneath it.  The songs were recorded live with almost no overdubs.  All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. \u003c\/p\u003e\n\u003cp\u003e“Two Hands\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ehas the songs that I’m the most proud of; I can imagine myself singing them when I’m old\u003c\/em\u003e,” says Adrianne.  “\u003cem\u003eMusically and lyrically, you can’t break it down much further than this.  It’s already bare-bones.\u003c\/em\u003e”  Lyrically this can be felt in the poetic blur of the internal and external.  These are political songs without political language.  They explore the collective wounds of our Earth.  Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it.  Across the album, there are genuine attempts to point the listener towards the very real dangers that face our planet.  When Adrianne sings “\u003cem\u003ePlease wake up\u003c\/em\u003e,” she’s talking directly to the audience. \u003c\/p\u003e\n\u003cp\u003eEngineer Dom Monks and producer Andrew Sarlo, who were both behind\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eU.F.O.F\u003c\/em\u003e., capture the live energy as instinctually and honestly as possible.  Sarlo teamed up with James Krivchenia to mix the album, making bold and direct decisions on how to present the album.  The journey of a song from the stage to the record is often a difficult one.  Big Thief’s advantage is their bond and loving centre as a chosen family.  They spend almost 100% of their lives together working towards a sound that they all agree upon.  A band with this level of togetherness is increasingly uncommon.  If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. \u003c\/p\u003e\n\u003cp\u003eWith raw power and intimacy,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTwo Hands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efolds itself gracefully into Big Thief’s impressive discography.  This body of work grows deeper and more inspiring with each new album. \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44472286707976,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/5d514161aec43.jpg?v=1683805324"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you-double-black-vinyl","title":"Big Thief - Dragon New Warm Mountain I Believe In You (Double Black Vinyl)","description":"\u003cp\u003e\u003cem\u003eDragon New Warm Mountain I Believe in You\u003c\/em\u003e is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions.  In Upstate New York, Topanga Canyon, The Rocky Mountains, and Tucson, Arizona, Big Thief spent 5 months in creation and came out with 45 completed songs.  The most resonant of this material was edited down into the 20 tracks that make up \u003cem\u003eDNWMIBIY\u003c\/em\u003e, a fluid and adventurous listen.  The album was produced by drummer James Krivchenia who initially pitched the recording concept for \u003cem\u003eDNWMIBIY\u003c\/em\u003e back in late 2019 with the goal of encapsulating the many different aspects of Adrianne’s songwriting and the band onto a single record.\u003c\/p\u003e\n\u003cp\u003eIn an attempt to ease back into life as Big Thief after a long stretch of Covid-19 related isolation, the band met up for their first session in the woods of upstate New York.  They started the process at Sam Evian’s Flying Cloud Recordings, recording on an 8-track tape machine with Evian at the knobs.  It took a while for the band to realign and for the first week of working in the studio, nothing felt right.  After a few un-inspired takes the band decided to take an ice-cold dip in the creek behind the house before running back to record in wet swimsuits.  That cool water blessing stayed with Big Thief through the rest of the summer and many more intuitive, recording rituals followed.  It was here that the band procured '\u003cem\u003eCertainty\u003c\/em\u003e' and '\u003cem\u003eSparrow.\u003c\/em\u003e'\u003c\/p\u003e\n\u003cp\u003eFor the next session in Topanga Canyon, California, the band intended to explore their bombastic desires and lay down some sonic revelry in the experimental soundscape-friendly hands of engineer Shawn Everett.  Several of the songs from this session lyrically explore the areas of Lenker’s thought process that she describes as “\u003cem\u003eunabashedly as psychedelic as I naturally think\u003c\/em\u003e,” including 'Little Things,' which came out of this session.  The prepared acoustic guitars and huge stomp beat of today’s 'Time Escaping' create a matching, otherworldly backdrop for the subconscious dream of timeless, infinite mystery.  When her puppy Oso ran into the vocal booth during the final take of the song, Adrianne looked down and spoke “\u003cem\u003eIt’s Music\u003c\/em\u003e!” to explain in the best terms possible the reality of what was going on to the confused dog. “\u003cem\u003eIt’s Music Oso!\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eThe third session, high in the Colorado Rockies, was set up to be a more traditional Big Thief recording experience, working with\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eUFOF\u003c\/em\u003e and \u003cem\u003eTwo Hands\u003c\/em\u003e engineer Dom Monks.  Monks' attentiveness to song energies and reverence for the first take has become a huge part of the magic of Thief’s recent output.  One afternoon in the castle-like studio, the band was running through a brand new song 'Change' for the first time.  Right when they thought it might be time to do a take, Monks came out of the booth to let them know that he’d captured the practice and it was perfect as it was. \u003c\/p\u003e\n\u003cp\u003eThe final session, in hot-as-heaven Tucson, Arizona, took place in the home studio of Scott McMicken.  The several months of recording had caught up to Big Thief at this point so, in order to bring in some new energy, they invited long-time friend Mat Davidson of Twain to join.  This was the first time that Big Thief had ever brought in a 5th instrumentalist for such a significant contribution.  His fiddle, and vocals weave a heavy presence throughout the Tucson tracks.  If the album's main through-line is its free-play, anything-is-possible energy, then this environment was the perfect spot to conclude its creation — filling the messy living room with laughter, letting the fire blaze in the backyard, and ripping spontaneous, extended jams as trains whistled outside.\u003c\/p\u003e\n\u003cp\u003eAll four of these sessions, in their varied states of fidelity, style, and mood, when viewed together as one album seem to stand for a more honest, zoomed-out picture of lived experience than would be possible on a traditional, 12 song record.  This was exactly what the band hoped would be the outcome of this kind of massive experiment.  When Max’s mom asked on a phone call what it feels like to be back together with the band playing music for the first time in a year, he described to the best of abilities: “\u003cem\u003eWell it’s like, we’re a band, we talk, we have different dynamics, we do the breaths, and then we go on stage and suddenly it feels like we are now on a dragon.  And we can’t really talk because we have to steer this dragon.\u003c\/em\u003e”\u003c\/p\u003e\n\u003cp\u003eThe attempt to capture something deeper, wider, and full of mystery, points to the inherent spirit of Big Thief.  Traces of this open-hearted, non-dogmatic faith can be felt through previous albums, but here on \u003cem\u003eDragon New Warm Mountain I Believe In You\u003c\/em\u003e lives the strongest testament to its existence.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44472293720328,"sku":"","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/6192df1f2f141.jpg?v=1683805471"},{"product_id":"the-breeders-last-splash-30th-anniversary-original-analog-edition-limited-lp-version-available-on-2x-clear-vinyl-red-12-vinyl-with-etching","title":"The Breeders – Last Splash (30th Anniversary Original Analog Edition on Triple Clear and Red Vinyl 12\" Vinyl w\/ Etching)","description":"\u003cp data-mce-fragment=\"1\"\u003eA defining album of the 90s,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLast Splash\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby The Breeders turns 30 this year.  To celebrate, the band have returned to the original tapes to give it its first-ever remaster, and by doing so have also unearthed two lost tracks that will delight fans.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded by the ‘classic’ Breeders line-up of Kim Deal, Kelley Deal, Josephine Wiggs and Jim Macpherson and featuring singles ‘Cannonball’ and ‘Divine Hammer’, Last Splash was “\u003cem data-mce-fragment=\"1\"\u003ean alt-rock classic\u003c\/em\u003e” (Pitchfork’s Top 100 Records of 1990s) on release; a fast seller too, quickly attaining Platinum status in the US.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDespite having had the boxset treatment on its 20th birthday, the album was still left to be remastered so 10 years on, the original ½” tapes were taken out of the archives and have been lovingly worked on by Kim Deal, Benjamin Mumphrey and Miles Showell (Abbey Road).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNever sounding so good, it means for its 30th anniversary the album is getting the ultimate vinyl pressing.  Entitled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLast Splash (30th Anniversary Original Analog Edition)\u003c\/em\u003e, this new version has been cut at half speed at Abbey Road by Miles Showell, now spanning two LPs and running at 45rpm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFurthermore, this anniversary edition also contains an exclusive, one-sided etched 12” which excitingly features two brilliant and previously unreleased tracks – ‘Go Man Go’ and ‘Divine Mascis’ (‘Go Man Go’ is a track that Kim co-wrote with Black Francis while ‘Divine Mascis’ is a different version of ‘Divine Hammer’ with Dinosaur Jr.’s J Mascis on lead vocals).  Both tracks originate from the original sessions and were left forgotten until the sessions were exhumed to create this new master.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe attention to detail continues to the album’s art, which equally celebrates Vaughan Oliver’s iconic sleeve.  With Vaughan sadly no longer with us, his long-time design partner Chris Bigg has gloriously reimagined the album’s sleeve for this new version.  Coming in a beautiful wide-spine sleeve, there’s also a nod to other classic 4AD records with a 10” lyric booklet being created which also unseen portraits from the original album shoot by Kevin Westenberg.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44832315900168,"sku":"","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/187953-the-breeders-last-splash-coloured.jpg?v=1699036398"},{"product_id":"beirut-gulag-orkestar-black-vinyl","title":"Beirut - Gulag Orkestar (Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eZach Condon - aka Beirut - is a twenty year old solo artist whose DIY bedroom-produced music sounds like the glorious dance of a twelve-piece Balkan gypsy orchestra.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt swirls and sways with a procession of horns, violins, cellos, ukuleles, mandolins, glockenspiels, drums, tambourines, congas, organs, pianos, clarinets and accordions, a wonderfully brash, drunken sound which whirls around Zach's histrionic and bewitchingly plaintive vocals.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44834072396040,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/51sJNVAPrhL._UF1000_1000_QL80.jpg?v=1699099189"},{"product_id":"pale-saints-in-ribbons-30th-anniversary-remasters-black-vinyl","title":"Pale Saints - In Ribbons (30th Anniversary Remaster on Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe 1990 debut album from Pale Saints,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Comforts of Madness\u003c\/i\u003e, is an outstanding record that owed as much to post-punk and L.A.’s Paisley Underground scene than it did to shoegaze. The Sunday Times called it “an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHaving previously worked well with producer Hugh Jones (Echo and The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn Ribbons\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the “push and pull between Masters’ outsider tendencies and (the rest’s) commercial intereststhat makes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn Ribbons\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eso good. If some of the wild, ragged edges of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eComforts of Madness\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ehave been smoothed off, the album makes up for it with scope and beauty. And there’sstill no shortage of weird.” \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":44834095989000,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a1365286668_10.jpg?v=1699100619"},{"product_id":"u-s-girls-heavy-light-limited-edition-on-lavender-white-marble-vinyl","title":"U.S. Girls - Heavy Light (Limited Edition on Lavender\/White Marble Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eThe highly anticipated seventh album by U.S. Girls, the protean musical enterprise of multi-disciplinary artist Meg Remy, is entitled\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHeavy Light\u003c\/i\u003e. While Remy has been widely acclaimed for a panoply of closely observed character studies, on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHeavy Light\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshe turns inward, recounting personal narratives to create a deeply introspective about-face. The songs are an inquest into the melancholy flavour of hindsight, both personal and cultural. Remy makes this notion formally explicit with the inclusion of three re-worked, previously released songs:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eStatehouse (It’s A Man’s World), Red Ford Radio\u003c\/i\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eOvertime.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHeavy Light\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efollows 2018’s internationally critically-acclaimed breakout album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn A Poem Unlimited\u003c\/i\u003e. Recently named one of the best albums of the decade by Pitchfork, it was lauded across the pond by the likes of The Guardian, The Sunday Times, Crack and Q magazine for being Remy’s most accessible record in her then decade-long career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eHeavy Light\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis produced by Remy and was recorded live with 20 session musicians - including E Street Band saxophonist Jake Clemons - in Montreal’s acclaimed Hotel 2 Tango studio. Remy worked with co-writers Basia Bulat and Rich Morel to develop the core of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHeavy Light\u003c\/i\u003e, a set of songs conceived as a balance between orchestral percussion (as richly arranged by percussionist Ed Squires) and the human voice (conducted by Kritty Uranowski). The resulting album finds Remy casting herself as lead voice among a harmonious multitude, the singers of which lend not only their voices, but also share reflections on childhood experiences that are collaged into moving spoken word interludes throughout the album. The album is mixed by long-time collaborators Maximilian ‘Twig’ Turnbull, Steve Chahley and Tony Price.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":45136570384648,"sku":"","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/7fc959f3-0198-4968-b2cf-359414a29781_thumbnail_1024.webp?v=1706364148"},{"product_id":"future-islands-people-who-aren-t-there-anymore-black-vinyl","title":"Future Islands - People Who Aren´t There Anymore (Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eFuture Islands was never meant to last. After eighteen years and 1,400 live shows, Future Islands show they're not only still here, they're making the most powerful music of their fascinating, but unexpectedly long and storied career.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor Future Islands, albums aren’t a static reflection of a moment in time, they are a fluid chapter in their lives that can change and mutate. People change and pull away. The band is no different, coming up against their future while staring at their past. They’re not the same people they were when Future Islands began nearly two decades ago. They are now spread about, some settled down and some still moving.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePeople Who Aren’t There Anymore\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ereflects the transience of a band’s existence; the rare privilege of travelling all over the world contrasting with the sadness of fleeting moments in and out people’s lives. Being everywhere but also nowhere. Remembering the lives lost and the living they’ll never see again, cherishing the present and being grateful for the past.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci\u003ePeople Who Aren’t There Anymore\u003c\/i\u003e\u003cspan\u003e was co-produced by Future Islands and Steve Wright, and mixed by Steve Wright and Chris Coady (who returns to working with the band for the first time since 2014’s Singles).\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":45148181954824,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a4076732943_10.jpg?v=1706712672"},{"product_id":"scott-walker-bish-bosch-double-black-vinyl","title":"Scott Walker - Bish Bosch (Double Black Vinyl)","description":"\u003cp\u003eSince the 1960s, Scott Walker has scaled the heights of pop superstardom, produced some of the most revered solo albums of the late sixties, coasted on his laurels during the seventies, then metamorphosed into something very different. The music he has been making at his own pace since the early eighties might be utterly estranged from the songs that made him a household name, but they stem from the privacy he requires to write this complex and hugely inventive music. Bish Bosch is the latest in Scott’s discography to pursue the line of enquiry he began back in 1978, with his four devastatingly original songs on the Walker Brothers’ swansong, Nite Flights, and continuing through Climate of Hunter (1984), Tilt (1995), The Drift (2006).\u003c\/p\u003e\n\u003cp\u003eHe has continued to mature and develop in a late style utterly at odds with the music that made him a superstar, a lifetime ago, but which is totally honest, uncompromising and transcendent. Scott began writing new material around 2009 - whilst also scoring the ROH 2’s Duet For One Voice ballet - recording it sporadically over the following three years. Aided again by co-producer Peter Walsh and joined by the regular core of musicians,Ian Thomas (drums), Hugh Burns (guitar), James Stevenson (guitar), Alasdair Malloy (percussion) and John Giblin (bass). Musical director Mark Warman also played a prominent role, both as conductor and keyboardist, while guests include trumpeter Guy Barker and pedal steel guitarist BJ Cole, who worked on three of Scott’s mid-seventies LPs. For three tracks (‘SDSS1416+13B’, ‘Dimple’ and ‘Corps de Blah’), Scott drafted in an orchestra, recording them in The Hall at Air Studios in November 2011. If The Drift was a dark place, full of scorching orchestral textures and ominous rumblings, Bish Bosch is a tauter but more colourful experience, with greater emphasis on processed, abrasive guitars, digital keyboards and thick silences.\u003c\/p\u003e\n\u003cp\u003eBish Bosch is with comprehensive booklet accompanies the album. For the cover art, Scott worked closely with painter Ben Farquharson and designer Philip Laslett.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50287827255560,"sku":"","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/338635-1.jpg?v=1730728457"},{"product_id":"kim-deal-nobody-loves-you-more-limited-edition-on-orange-vinyl","title":"Kim Deal - Nobody Loves You More (Limited Edition on Florida Orange Vinyl)","description":"\u003cp\u003eKim Deal releases her new album, \u003ci\u003eNobody Loves You More\u003c\/i\u003e. Featuring recent single ‘Coast’, the collection of 11 songs is the Dayton, Ohio resident’s first full-length album under her own name.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eNobody Loves You More\u003c\/i\u003e is Kim Deal’s debut album although it’s not the first time she has gone solo – she self-released a five-part, ten-song seven-inch vinyl series in 2013. In keeping with Deal’s meticulous approach to her art, the album was refined over several years. Its oldest songs, ‘Are You Mine?’ and ‘Wish I Was’, were written and originally recorded in 2011 shortly after Deal came off the Pixies’ “Lost Cities Tour” and relocated to Los Angeles (early versions of those songs were included in said vinyl series); the last recording for \u003ci\u003eNobody Loves You More \u003c\/i\u003etook place in November 2022 with legendary engineer and close friend Steve Albini, who helmed final track ‘A Good Time Pushed’ at his Electrical Audio studio in Chicago. Along the way she has brought in a variety of collaborators from Breeders past and present (Mando Lopez, twin sister Kelley Deal, Jim Macpherson, Britt Walford), to Raymond McGinley (Teenage Fanclub), Jack Lawrence (Raconteurs) and Savages’ Fay Milton and Ayse Hassan. \u003ci\u003eNobody Loves You More \u003c\/i\u003ewas mixed by Marta Salogni and mastered by Heba Kadry.\u003c\/p\u003e\n\u003cp\u003eEvery song has a story behind it, from the winter vacations with her parents in Florida Keys (‘Summerland’), wedding band covers of ‘Margaritaville’ (‘Coast’) to her mother’s dementia (‘Are You Mine?’). All in all, the record is a celebration of Deal’s unmatched artistry, nodding not only to her career highlights with celebrated bands across the alternative landscape (Pixies, The Amps, The Breeders), but also to her immovable cultural weight influencing musicians like Kurt Cobain and Olivia Rodrigo through the generations. \u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50375421722888,"sku":"","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/191400073302-2.jpg?v=1732279916"},{"product_id":"blonde-redhead-23-black-vinyl","title":"Blonde Redhead - 23 (Black Vinyl)","description":"\u003cp\u003eFor 23, the trio known as Blonde Redhead has brightened up their sound a bit from the uber-melancholy vibes found on Misery Is A Butterfly. Not to say this is a bad thing, it's actually a welcome change for me (can you really be down ALL the time). The title track \"23\" sets off the album and you can already tell they've got a more hopeful sound. Kazu still sounds wispy and frail, but there's an air of new energy and confidence in her voice. Next check \"SW\" and \"Publisher\" with the heavy shadow-ish drums (on point) and the Thom Yorke style vocals. I never really liked the tracks where the dude sings, but these ones are alright. When you get to \"Silently,\" you know for sure these guys have cheered up quite a bit. A happy sounding Blonde Redhead track? Never thought I'd see the day, but it sounds pretty good. Also check \"Top Ranking,\" probably my favorite track of the album with its stutter step drums and bittersweet melody.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50392739086600,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/51LcHQf3oQL._UF1000_1000_QL80.jpg?v=1732631802"},{"product_id":"pixies-doolittle-remastered-180g-black-vinyl","title":"Pixies - Doolittle \"Remastered\" (180g Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThe Pixies were masters of dynamics (check out 'Monkey Gone to Heaven,' or 'Hey'), moving from quietly subdued to all-out head-banging and back. Black Francis was one of the most unique vocal stylists of the '80s. His duets with bassist Deal, 'I Bleed' and 'Silver,' work the way Ella Fitzgerald and Louis Armstrong worked together. If you want straight ahead pop then 'Debaser' and 'Here Comes Your Man' this 1989 album had everything and was never bettered.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0DQyTVcDhK9wm0f6RaErWO?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50535838908680,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/63993-pixies-doolittle.jpg?v=1735825340"},{"product_id":"pixies-surfer-rosa-black-vinyl","title":"Pixies - Surfer Rosa (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThis album epitomises everything that is the Pixies. Every aspect of this album is close to perfection. Produced by Steve Albini, it captures the raw essence of Pixies in full flight. Black Francis' primal wail is complemented by the sheer brilliance of Joey Santiago on guitar, which in turn is pulled together by the rhythm unit of Kim Deal and David Lovering. The Pixies are without doubt one of the most important bands of the last 20 years.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50535874756872,"sku":"","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/181bda4f-f923-42c2-b960-4dd21d817bbc_thumbnail_1024.webp?v=1735825561"},{"product_id":"lush-split-reissue-limited-edition-on-clear-vinyl","title":"Lush - Split \"Reissue\" (Limited Edition on Clear Vinyl)","description":"\u003cp\u003eFeaturing the singles ‘Desire Lines’ and ‘Hypocrite’, Split is the second full studio album by Lush. Produced by Mike Hedges - famed for his work on The Cure’s Seventeen Seconds \u0026amp; Siouxsie and the Banshees’s A Kiss in the Dreamhouse – and mixed by Alan Moulder, Split sees the band hit a poppier sound whilst retaining their almost pitch-black feel.\u003c\/p\u003e\n\u003cp\u003eBuilt around the songwriting talents of Emma Anderson and Miki Berenyi, Lush successfully defined a myriad of 90s scenes such as shoegaze, dream pop and Britpop before they disbanded in 1998. A much-loved band who briefly reformed in 2016, recent years has seen a new, young audience fall in love with their music after discovering it via TikTok, Spotify et al. And outside of a lavish Record Store Day career retrospective boxset in 2016, all three studio albums – Spooky (1992), Split (1994) and Lovelife (1996) – have been unavailable on vinyl since the 90s.\u003c\/p\u003e\n\u003cp\u003eWith demand high, the band have been working with renowned engineer \/ producer Kevin Vanbergen to help them remaster their catalogue, starting with their studio albums. Using the original ½” production tapes for source material, Kevin has painstakingly worked on them to create brand new, stunning 24-bit masters that perfectly capture the thrill of the originals. They’ve never sounded so good.\u003c\/p\u003e\n\u003cp\u003eFamously working with 4AD’s inhouse designers v23 on every release, album art has always been central to Lush’s appeal too. For these represses, the first two albums will come housed in their original designs while Lovelife uses the art from their 2016 boxset so to keep 1996’s collectible tracing paper sleeve exclusive to that initial pressing.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50556993011976,"sku":"","price":31.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/lush-split.jpg?v=1736266809"},{"product_id":"cocteau-twins-heaven-or-las-vegas-black-vinyl","title":"Cocteau Twins - Heaven or Las Vegas (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eDeciding to scale back the overly pretty sound on \u003c\/span\u003e\u003ci\u003eBlue Bell Knoll\u003c\/i\u003e\u003cspan\u003e while experimenting with more accessibility the Twins ended up creating their best album since Treasure. From the start, Heaven... is simply fantastic: on \"Cherry-Coloured Funk\", Guthrie's inimitable guitar work chimes leading a low-key but forceful rhythm, while Raymonde's grand bass work fleshes it out. Fraser simply captivates; her vocals are the clearest, most direct they've ever been, purring with energy and life. There are many moments of sheer Cocteaus beauty and power, including the title track, with its great chorus. A near-perfect album.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50724578984200,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/cocteau-twins-heaven-or-las-vegas.webp?v=1738771235"},{"product_id":"the-birthday-party-junk-yard-black-vinyl-7-cd","title":"The Birthday Party - Junk Yard (Black Vinyl + 7'' \u0026 CD)","description":"\u003cp\u003e\u003cspan\u003eReleased in May 1982, \u003c\/span\u003e\u003ci\u003eJunkyard\u003c\/i\u003e\u003cspan\u003e's uncompromising contents signalled both the oncoming demise of the band responsible for them and rock and roll's logical conclusion. Harnessing the power of the Stooges' F\u003c\/span\u003e\u003ci\u003eunhouse'\u003c\/i\u003e\u003cspan\u003e with the limitless possibilities offered by Captain Beefheart's '\u003c\/span\u003e\u003ci\u003eTrout Mask Replica\u003c\/i\u003e\u003cspan\u003e', the Birthday Party were a product of the uncertain times that created them - the unwitting soundtrack to a time of death, darkness and decay.\u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":50724651303176,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Junkyard_d350ce2d_thumbnail_1024.webp?v=1738772388"},{"product_id":"big-thief-masterpiece-reissue-limited-edition-on-eco-colour-vinyl","title":"Big Thief - Masterpiece \"Reissue\" (Limited Edition on Eco-Colour Vinyl)","description":"\u003cp\u003eBig Thief release a new edition of their 2016 debut album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMasterpiece\u003c\/i\u003e. For the first time on 4AD, the album containing much-loved songs ‘Paul’, ‘Real Love’ and title track ‘Masterpiece’, is remastered and reissued.\u003c\/p\u003e\n\u003cp\u003eBig Thief's music, rooted in the songs of Adrianne Lenker, paints in vivid tones \"the process of harnessing pain, loss, and love, while simultaneously letting go, looking into your own eyes through someone else's, and being okay with the inevitability of death,\" says Adrianne.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMasterpiece\u003c\/i\u003e, Big Thief's debut album, is filled with characters and visceral narratives, songs that pivot in the space of a few words. Adrianne's voice and guitar playing speak of rich emotional territory with grace and insight. In her words, the record tracks \"the masterpiece of existence, which is always folding into itself, people attempting to connect, to both shake themselves awake and to shake off the numbness of certain points in their life. The interpretations might be impressionistic or surrealistic, but they're grounded in simple things.\"\u003c\/p\u003e\n\u003cp\u003eAdrianne met her longtime musical partner, guitarist and singer, Buck Meek, in Brooklyn a few years ago, and they quickly formed a creative bond tempered by the experience of traveling and performing for months on end in old dive bars, yards, barns, and basements together. They recorded a pair of duo albums (A-Sides and B-Sides), and Adrianne showcased her songs on a solo album, \u003ci\u003eHours Were The Birds\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eNow, as a full rock and roll band, with Buck on guitar, Max Oleartchik on bass, and James Krivchenia on drums, they bring a steady wildness, giving the songs an even deeper layer of nostalgia. \"These guys feel like a pack of wolves at my back,\" says Adrianne, \"they make the songs howl and bark with a fierce tenderness that gives me courage.\"\u003c\/p\u003e\n\u003cp\u003eAfter spending last July in an old house that they turned into a studio on Lake Champlain with producer Andrew Sarlo, the resulting collection soars on what Big Thief fan Sharon Van Etten calls \"...a real journey, with intelligent stories and twist-and-turn melodies.\"\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51153439916296,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a2512367328_10.jpg?v=1743859581"},{"product_id":"maria-somerville-luster-limited-edition-on-clear-vinyl-7","title":"Maria Somerville - Luster (Limited Edition on Clear Vinyl + 7'')","description":"\u003cp\u003eBy the time Irish musician Maria Somerville started writing Luster, her landmark label debut for 4AD, she had lived away from her native Connemara for quite some time. Having grown up amongst the wild, mountainous terrain of Galway’s rural west coast, she later relocated to Dublin, where she patiently developed an atmospheric dream pop signature inspired by the landscape of her youth – a spellbinding sound world of gusting ambient electronics, ethereal guitar strums, sparse percussion, and hushed lyrical vignettes. In 2019, this culminated in All My People, a self-released LP steeped in reverb, nostalgia and a yearning for home that won praise from discerning press and listeners alike.\u003c\/p\u003e\n\u003cp\u003eIt was upon returning to Connemara, in a house near where she was raised overlooking one of the country’s largest lakes, Lough Corrib, that work commenced on the songs that would eventually become Luster, an album that illuminates Somerville’s music anew, pushing it forward in both sound and spirit. Where All My People conveyed memories and melancholic longing with misty slowcore balladry, these 12 tracks show us an artist who’s more assured in the path her life has taken, and the person she’s become in the process. As she sings in ‘Trip’ – “I can see more clearly than I could before. I know now wat's true for me.”\u003c\/p\u003e\n\u003cp\u003eInvigorated by her surroundings and emboldened by her community, Somerville found a renewed sense of creative energy upon returning to home soil. It provided “fertile ground” for free-flowing recording sessions in her small living room studio, where she stitched together demos that were then fleshed out with friends and collaborators, and later mixed by the renowned New York-based engineer Gabriel Schuman. Contributors included producers J. Colleran, Brendan Jenkinson and Diego Herrera (aka Suzanne Kraft), as well as Lankum’s Ian Lynch, whose uilleann pipe drones you can hear in ‘Violet’, and Margie Jean Lewis, whose violin bows reverberate through the ambient haze of ‘Flutter’. Sessions with musicians Henry Earnest and Finn Carraher McDonald (aka Nashpaints) helped “tie it all together”, while contributions from friends Roisin Berkley and Olan Monk enshrined the companionship they’ve shared since Somerville returned to Connemara.\u003c\/p\u003e\n\u003cp\u003eListeners have had a window into Somerville’s world every Monday and Tuesday morning since 2021 via her beloved Early Bird Show on NTS Radio, where her dawn chorus selections range from blissful ambient and shoegaze to traditional Irish folk songs. Since signing to 4AD that same year, Somerville has toured with her labelmates Dry Cleaning, and released two covers for the label’s 40th anniversary celebrations – taking on Nancy Sinatra’s ‘Kinky Love’ and Air Miami’s ‘Sea Bird’. With the release of Luster, she has signalled the arrival of a new era that will see her play around the world in 2025 accompanied by a live band. Rest assured though, no matter where Somerville goes, she’ll take a piece of home with her – a living, breathing, timeless essence you can sense in every note, as clear as the air by the Corrib.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6vRCwr31pNFnURP8mj53KP?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51423918194952,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a3764111899_10.jpg?v=1747136552"},{"product_id":"jenny-hval-iris-silver-mist-limited-edition-on-pearl-vinyl","title":"Jenny Hval - Iris Silver Mist (Limited Edition on Pearl Vinyl)","description":"\u003cp\u003e\u003cspan\u003eNorwegian musician, artist and novelist Jenny Hval announces her new album, Iris Silver Mist, out on 2 May, the lead single\/video ‘To be a rose’, and a UK\/EU tour. Iris Silver Mist is named after a fragrance made by the nose Maurice Roucel for the French perfume house Serge Lutens. It’s described as smelling more like steel than silver. It is cold and prickly, soft and shimmering, like stepping outside on an early, misty morning, your body still warm from sleep. A perfume, with its heart notes and scented accords, shares its language with music. Both travel through air, simultaneously invisible and distinct.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRather than begin with music, Iris Silver Mist began with the absence of it. As the pandemic led to no live music, the smell of cigarettes, soap, and the sweat from warm stage lights and shared bathrooms was replaced by unphysical, algorithmic listening at home. Suddenly, and for the first time since she was a teenager, Hval found herself growing interested in perfumes. Smelling, reading, collecting, writing—she immersed herself with scent while her music was put on hold. It took her a year to understand what was happening, until she did: she was seeking another way of sensing physical intimacy. Where music had turned into a void, she filled it with fragrance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIris Silver Mist is very sensual, tactile and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eintimate—touching you as smells, sounds, and images do when they multiply. During a series of performances last year titled I want to be a Machine, Hval performed many of the tracks on Iris Silver Mist for the first time, before they’d been recorded, and surrounded by rice cookers, filling the songs with the misty smell of rice. Starting the album with a performance was quite an unusual approach—and it was also an intimate one. Emphasising the importance of the physical and live elements of music, these songs held the experience that was lacking in Hval’s life for so long.\u003cbr\u003e\u003cbr\u003eThroughout Iris Silver Mist, perfume continues to turn into smoke, mist, and music. On lead single, ‘To be a rose’, Hval half-speaks, half-sings to the beat of a drum machine: “A rose is a rose is a rose is a cigarette.\" Roses and cigarettes are romantic forms of wishful thinking, transporting you someplace else. Of the track, Hval says: “’To be a rose’ was written as a restless pop structure. It has a chorus, with chords and a melody, but each chorus sounds slightly different, like we are experiencing the melody from different seasons, decades or even different bodies. The clichéd rose metaphor in the song is equally restless. It can change shape into a cigarette and then evaporate to smoke. My mother and I (two restless humans) are both present in the song: ‘I was singing in my room, she smoked on the balcony\/Long inhales and long exhales performed in choreography.’ If about anything, ‘To be a rose’ is about how one thing becomes another thing, how we all come from somewhere and someone, and how this is stranger and more powerful than we think.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":51424268484872,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a3590852215_10.jpg?v=1747138123"},{"product_id":"u-s-girls-scratch-it-black-vinyl","title":"U.S. Girls - Scratch It (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eWhen Meg Remy, the visionary behind U.S. Girls, got an offer to play at a festival in Hot Springs, Arkansas in early 2024 — over one thousand miles away from her home in Toronto — she enlisted Nashville-based friend Dillon Watson (D. Watusi, Savoy Motel, Jack Name) to assemble a one-time band for the occasion. The show went so well that she decided to ride thatenergy right back to where the impromptu band had initially rehearsed, in Music City itself, kickstarting the journey toward Scratch It.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn just ten days, Remy and her band — Watson on guitar, Jack Lawrence (The Dead Weather, The Raconteurs, Loretta Lynn) on bass, Domo Donoho on drums, and both Jo Schornikow and Tina Norwood on keys, as well as harmonica legend Charlie McCoy (Elvis, Bob Dylan, Roy Orbison) — recorded Scratch It live off the floor with minimal overdubs, mixed to tape.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCloseness and ease emanate from this core band with Remy’s singular voice sparkling on top of every tune, the most relaxed it has ever been.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlbum opener “Like James Said” is an ELO-styled nugget of AM gold; a nod to the power of dancing alone and a lyrical response to James Brown’s “Get Up Offa That Thing”. Lead single\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e“Bookends” — a sprawling, twelve-minute ballad co-written with Edwin de Goeij — makes up the heart of the album, paying tribute to the late Power Trip frontman Riley Gale through the lens of John Carey’s Eyewitness to History. Later, slinky diss track “No Fruit” finds Watson’s wah-wah punctuating Remy’s biting and poetic prophecy, aimed either at a lover or the greatermodern world.\u003cbr\u003e\u003cbr\u003eScratch It weaves together country, gospel, garage rock, soul, disco, folk balladry, and more, with Remy’s masterful songwriting threaded throughout. Her choice to discard the computer-based production of previous albums in favor of two-inch tape serves the songs well, introducing an element of sonic shapeshifting expected from an artist nearly twenty years into making records. If instinct was an instrument, Remy would be a virtuoso. Scratch It and see.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4pNd3V7Qn7yaRhWv0TevwH?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52008241266952,"sku":"4AD0807LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a2155888074_10.jpg?v=1753024271"},{"product_id":"scott-walker-the-drift-black-vinyl","title":"Scott Walker - The Drift (Black Vinyl)","description":"\u003cp\u003eReleased in 2006, The Drift was Scott Walker's first album in eleven years, following 1995's Tilt. The album was recorded over a period of seventeen months at Metropolis Studios in Chiswick, London, with orchestra recorded in one day at George Martin's AIR Studios in Hampstead, London.\u003c\/p\u003e\n\u003cp\u003eThe artwork for the album was designed by Vaughan Oliver at v23 with assistance from Chris Bigg and photography by Marc Atkins.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3sVEXeNRjZngHef8wbgFwn?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52106185212168,"sku":"CAD2603","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/338900-1.jpg?v=1754167091"},{"product_id":"the-national-i-am-easy-to-find-180g-double-black-vinyl","title":"The National - I Am Easy To Find (180g Double Black Vinyl)","description":"\u003cp\u003eOn September 3, 2017, director Mike Mills emailed Matt Berninger to introduce himself and in very short order, the most ambitious project of the National’s nearly 20-year career was born and plans for a hard-earned vacation died. The Los Angeles-based filmmaker was coming off his third feature, \u003cem\u003e20th Century Women, \u003c\/em\u003eand was interested in working with the band on...something. A video maybe. Berninger, already a fan of Mills’ films, not only agreed to collaborate, he essentially handed over the keys to the band’s creative process.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe result is \u003cem\u003eI Am Easy to Find\u003c\/em\u003e, a 24-minute film by Mills starring Alicia Vikander, and \u003cem\u003eI Am Easy to Find\u003c\/em\u003e, a 68-minute album by the National. The former is not the video for the latter; the latter is not the soundtrack to the former. The two projects are, as Mills calls them, “Playfully hostile siblings that love to steal from each other”—they share music and words and DNA and impulses and a vision about what it means to be human in 2019, but don’t necessarily need one another. The movie was composed like a piece of music; the music was assembled like a film, by a film director. The frontman and natural focal point was deliberately and dramatically side staged in favour of a variety of female voices, nearly all of whom have long been in the group’s orbit. It is unlike anything either artist has ever attempted and also totally in line with how they’ve created for much of their careers.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI Am Easy To Find\u003c\/em\u003e is the band’s eighth studio album and the follow-up to 2017’s GRAMMY®-award winning release\u003cem\u003e Sleep Well Beast\u003c\/em\u003e.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5M5LPGsAR9mxbBa22GOp5h?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52145334780168,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/9be34c987320df0f7fbb357102180bbd.1000x1000x1.jpg?v=1754588525"},{"product_id":"adrianne-lenker-bright-future-black-vinyl","title":"Adrianne Lenker - Bright Future (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThis vinyl record is 100% analog-analog-analog (AAA). No digital process was used in the production of this sound recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn Bright Future, Adrianne Lenker, a songwriter known for turns of phrase and currents of rhyme, says it plainly, “you have my heart \/\/ i want it back.” documented with analog precision, what began as an experiment in collaboration, became proof adrianne’s heart did return, full to the brim, daring her into the unknown.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdmirers of Adrianne’s solo music and Big Thief will find on Bright Future her reliable talent captured in stunning, magnetic clarity. in the company of parlor instruments, adrianne’s modern melodic and lyrical inventions create new traditions. her vocal flights at times outwit gravity, then land, guiding along an earthly path. the wholeness of the unspliced recordings preserve a time of musical friendship during a golden season.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2Y8WS7iDIZkvzB5GUeLvku?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52145371119880,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a2431419636_10.jpg?v=1754589231"},{"product_id":"big-thief-double-infinity-limited-edition-on-green-vinyl","title":"Big Thief - Double Infinity (Limited Edition on Green Vinyl)","description":"\u003cp\u003e\u003cspan\u003eBig Thief announce their sixth studio album, Double Infinity, out September 5th via 4AD, and share lead single and album opener, “Incomprehensible.” Double Infinity is the follow-up to 2022’s Grammy-nominated album, Dragon New Warm Mountain I Believe In You, and was recorded last winter at the Power Station, New York City. For three solid weeks, the trio would ride bicycles on frozen streets between Brooklyn and Manhattan, meeting in Power Station’s warm wood-panelled room.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTogether with a community of musicians (Alena Spanger, Caleb Michel, Hannah Cohen, Jon Nellen, Joshua Crumbly, June McDoom, Laraaji, Mikel Patrick Avery, Mikey Buishas), they would play for nine hours a day, tracking together - simultaneously - improvising arrangements and making collective discoveries. The album was recorded live with minimal overdubs. Double Infinity was produced, engineered and mixed by longtime Big Thief collaborator Dom Monks.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1yEo1ZJE5ZgIF7LYrDTbMK?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52358789628168,"sku":"4AD0850LPE","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a0135149855_10.jpg?v=1757081177"},{"product_id":"the-mountain-goats-the-sunset-tree-20th-anniversary-remaster-on-apricot-vinyl","title":"The Mountain Goats - The Sunset Tree (20th Anniversary Remaster on Apricot Vinyl)","description":"\u003cp data-olk-copy-source=\"MessageBody\"\u003eOn April 26, 2005, John Darnielle’s third 4AD full-length album as The Mountain Goats, The Sunset Tree, presented a deeply confessional and emotionally vivid narrative drawn from the depths of the prolific songwriter’s turbulent personal history. Twenty years on, Darnielle revisits the career highlight record with a reissue — composed of 2025 Abbey Road Remasters and featuring original artwork and a new (vinyl only) OBI strip designed by Chris Bigg.\u003c\/p\u003e\n\u003cp\u003eUpon its arrival, The Sunset Tree — recorded with producer John Vanderslice in Northern California towards the end of 2004, and featuring performers Peter Hughes (bass, backing vocals, guitar), Franklin Bruno (piano, guitar), Erik Friedlander (cello), Alex DeCarville (drums), and Scott Solter (keyboards) — emerged as the most coherent and richly rewarding album in the Mountain Goats’ wildly extensive discography, and it retains that legacy now.\u003c\/p\u003e\n\u003cp\u003eIt’s a mark of Darnielle’s extraordinary fertility that, of the 800-plus songs he has recorded, only a handful directly concern his own life experience; The Sunset Tree’s 13 tracks, written after Darnielle’s stepfather passed away in December 2003, are the bulk of this small subsection. It’s a collection of songs about the house that Darnielle grew up in and the people who lived there — an ensemble cast which includes Darnielle himself, an ex-girlfriend, his mother, stepfather, and sister; old friends and old enemies. “I’ve put off writing about this stuff for years,” he said at the time of its release, “because I’m a little squeamish about milking my own trauma for art, and getting good songs rather than cry-fests from these experiences is a really excruciating process. And also because my stepfather was still alive.”\u003c\/p\u003e\n\u003cp\u003eExperienced as a whole rather than as a series of terrifying, frozen moments, The Sunset Tree is a redemptive rather than a remorseless record. As the liner notes say: “you are going to make it out of there alive.”\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2ocbRv0D5t7xaSCW6NJ8sZ?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52634223214856,"sku":"4AD0842LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a4096724493_10.jpg?v=1760624690"},{"product_id":"unrest-perfect-teeth-30th-anniversary-edition-on-black-vinyl","title":"Unrest - Perfect Teeth (30th Anniversary Edition on Black Vinyl)","description":"\u003cp\u003eBowing out at their creative peak, \u003ci\u003ePerfect Teeth\u003c\/i\u003e is the wonderful final album by American 90s indie rock greats Unrest. Having just clocked 30 years, 4AD and the band are revisiting it to present a remastered edition of the original album on black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBorrowing their name from a Henry Cow record, Unrest formed in 1983 at Wakefield High School in Arlington, Virginia (just outside of Washington, D.C.). Beginning as an improv instrumental band, they were soon perfecting genre-hopping eclecticism and issuing recordings (often in cassette form) via frontman Mark Robinson’s DIY label TeenBeat, as well as on notable indie labels such as 4AD, Caroline and Matador.\u003c\/p\u003e\n\u003cp\u003eTheir last album, \u003ci\u003ePerfect Teeth\u003c\/i\u003e features the latter year classic line-up of founding members Mark Robinson and Phil Krauth plus bassist Bridget Cross (a one-time member of Velocity Girl) and was recorded in the Pachyderm Studio in Cannon Falls, MN, in early 1993, mere days after Nirvana completed \u003ci\u003eIn Utero\u003c\/i\u003e in the very same space. Brian Paulson, who had produced Slint’s seminal Spiderland album, was asked to record the album and he chose the rural studio setting with Simon LeBon producing.\u003c\/p\u003e\n\u003cp\u003eFor this reissue, the album and bonus tracks have all been remastered – most from their original analogue tapes – and are sounding as great as ever. Working again with original designer Chris Bigg, he’s kept the original album cover as is (complete with Robert Mapplethorpe’s portrait of former Miaow singer\/songwriter Cath Carroll) but has created an all-new back cover and inner-sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4QKNHlCEu3MlT6EBECag01?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52971974295816,"sku":null,"price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/image_1200x1200_7d72010a-792e-405c-b56d-9b23c0c2b2fe.webp?v=1765736311"},{"product_id":"grimes-art-angels-black-vinyl-w-7-double-sided-art-prints","title":"Grimes - Art Angels (Black Vinyl w\/ 7 Double-Sided Art Prints)","description":"\u003cp\u003e\u003cem\u003eArt Angels\u003c\/em\u003e reveals itself to be an idiosyncratic pop album - replete with cheery hooks, blithe melodies, K-pop nods, 80s sounds, guitars, and structure where before Grimes artily meandered. It is strikingly original, a kaleidoscopically minded Grimes-authored record, rather than a product buffed by committee.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/7J84ixPVFehy6FcLk8rhk3?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":52972359221512,"sku":null,"price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/f6b3a85f39a656aaa61d30d1d2ec8d85.webp?v=1765744013"},{"product_id":"dry-cleaning-secret-love-limited-edition-on-apricot-vinyl","title":"Dry Cleaning - Secret Love (Limited Edition on Apricot Vinyl)","description":"\u003cp\u003e\u003cem\u003eSecret Love\u003c\/em\u003e is the finest expression yet of the profound friendships that created Dry Cleaning, between frontperson Florence Shaw, guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard. Here, the south London four-piece take their place in rock’s avant garde, catalysing the Reaganite paranoia of early 80s US punk and hardcore with the dry strut of Keith Richards, stoner rock, dystopian degradation, playful no wave and pastoral fingerpicking, while Florence’s delivery, meticulously calibrated to her bandmates’ soundscapes, asserts her in a lineage of spoken-word artists stretching from Laurie Anderson to Life Without Buildings’ Sue Tompkins.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to \u003cem\u003eStumpwork\u003c\/em\u003e started life in Peckham rehearsal spaces, all four members writing, playing and responding to each other in the room: in Dry Cleaning, music and lyrics form an inseparable, generative whole. Secret Love evolved through affirming sessions at Jeff Tweedy’s Chicago studio the Loft and explosive ones with Gilla Band’s Alan Duggan and Daniel Fox at Sonic Studios in Dublin, taking advantage of the sonic particulars of each space, and finally with Cate Le Bon at Black Box in the Loire Valley. After interviewing various potential producers, they picked Cate – an esteemed solo artist who has also made albums for Deerhunter, Devendra Banhart, Wilco and Horsegirl – for her unabashed positivity and openness. “\u003cem\u003eBeing in a room with them and hearing that vitality and life force that exists between them all, it’s such a unique expression,\u003c\/em\u003e” she says.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79o6ZvFsXaAkL9MHCE6ts4?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":53107899859208,"sku":"4AD0868LPE","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Dry_Cleaning_-_Secret_Love_-_2026.webp?v=1767912258"},{"product_id":"buck-meek-the-mirror-limited-edition-on-crystal-clear-vinyl","title":"Buck Meek - The Mirror (Limited Edition on Crystal Clear Vinyl)","description":"\u003cp\u003eBuck Meek has released his new album, \u003cem\u003eThe Mirror\u003c\/em\u003e. With an uncanny curiosity, he reveals the uniqueness in the mundane. \u003cem\u003eThe Mirror\u003c\/em\u003e searches for new meaning and the familiar is reframed through Meek’s singular voice. Love, as an idea, is always close – but in its reflection comes an afterimage of the way things could be and how they’ve been before. Meek holds the absurdity of devotion, the choice to love – with equal parts ache and grin.\u003c\/p\u003e\n\u003cp\u003eEmerging from a decade of work together in Big Thief, the partnership of Meek and producer James Krivchenia on \u003cem\u003eThe Mirror\u003c\/em\u003e arrived from the idea to combine the band’s live, kinetic energy with an oblique electronic world. From production projects including Big Thief’s \u003cem\u003eDragon New Warm Mountain I Believe In You\u003c\/em\u003e and his recent solo record, \u003cem\u003ePerforming Belief\u003c\/em\u003e, Krivchenia’s work is enlivened through electronic elements, always seeking to deepen sound. The concept for \u003cem\u003eThe Mirror\u003c\/em\u003e welcomed a collective atmosphere in which simultaneous experiment could occur – the musicians responded to each other in real time, while their instruments triggered modular synthesizers.\u003c\/p\u003e\n\u003cp\u003eFor \u003cem\u003eThe Mirror\u003c\/em\u003e, Meek and Krivchenia welcomed in friends, family, and longtime collaborators including Adrianne Lenker, who contributed vocals, Adam Brisbin on guitar, and Ken Woodward on bass. New creative partners and longtime friends like composer and ambient musician Alex Somers joined in on synthesizer, toy microphone, an old piano, and Mary Lattimore brought in the sounds of her prismatic harp. A rotating cast of four drummers: Jesse Quebbeman-Turley, Jonathan Wilson, Kyle Crane, and Krivchenia provide a wide dynamic arc of grooves. Germaine Dunes, Staci Foster, Jolie Holland, and Lenker sing as a choir on many songs. Meek’s brother, Dylan Meek contributed piano, keys, and vocals. Adrian Olsen created a wide range of sounds and melodies with modular synths.\u003c\/p\u003e\n\u003cp\u003eWith his songwriting acting as a compass to the recording process, Meek invited interaction, instead of limiting the tracks to something controllable. The album was recorded in Meek and Dunes' Los Angeles log cabin studio, Ringo Bingo. Meek recorded vocals outdoors on the front porch, looking through the living room window where the band played inside. As an artist, Meek continues to reveal his singular aptitude as translator of human feeling and its endless portals. Through \u003cem\u003eThe Mirror\u003c\/em\u003e, he aptly embraces the unknown with an abiding desire to find the right questions to ask, rather than their answers.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/3LE5w1aEJa09VcrUk2SCEF?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":53366907076872,"sku":"4AD0870LP","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Buck_Meek_-_The_Mirror_-_2026.webp?v=1771710386"},{"product_id":"dry-cleaning-secret-love-black-vinyl","title":"Dry Cleaning - Secret Love (Black Vinyl)","description":"\u003cp\u003e\u003cem\u003eSecret Love\u003c\/em\u003e is the finest expression yet of the profound friendships that created Dry Cleaning, between frontperson Florence Shaw, guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard. Here, the south London four-piece take their place in rock’s avant garde, catalysing the Reaganite paranoia of early 80s US punk and hardcore with the dry strut of Keith Richards, stoner rock, dystopian degradation, playful no wave and pastoral fingerpicking, while Florence’s delivery, meticulously calibrated to her bandmates’ soundscapes, asserts her in a lineage of spoken-word artists stretching from Laurie Anderson to Life Without Buildings’ Sue Tompkins.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to \u003cem\u003eStumpwork\u003c\/em\u003e started life in Peckham rehearsal spaces, all four members writing, playing and responding to each other in the room: in Dry Cleaning, music and lyrics form an inseparable, generative whole. Secret Love evolved through affirming sessions at Jeff Tweedy’s Chicago studio the Loft and explosive ones with Gilla Band’s Alan Duggan and Daniel Fox at Sonic Studios in Dublin, taking advantage of the sonic particulars of each space, and finally with Cate Le Bon at Black Box in the Loire Valley. After interviewing various potential producers, they picked Cate – an esteemed solo artist who has also made albums for Deerhunter, Devendra Banhart, Wilco and Horsegirl – for her unabashed positivity and openness. “\u003cem\u003eBeing in a room with them and hearing that vitality and life force that exists between them all, it’s such a unique expression,\u003c\/em\u003e” she says.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/79o6ZvFsXaAkL9MHCE6ts4?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":57627851424008,"sku":"4AD0868LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a4213216818_10.jpg?v=1776780463"},{"product_id":"his-name-is-alive-livonia-black-vinyl","title":"His Name Is Alive - Livonia (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eHis Name Is Alive’s 1990 4AD label debut \u003c\/span\u003e\u003cem\u003eLivonia\u003c\/em\u003e\u003cspan\u003e cemented the band’s presence among 4AD’s well-established ethereal lineage, reinventing and refracting the label’s sound through a prism. A tender and slightly deranged dream-pop record, it packages nearly ten years of Defever’s home recordings – brought to haunting chorus via the spectral, feminine vocals of Karin Oliver. Produced and mixed by Ivo Watts-Russell and This Mortal Coil collaborator John Fryer, the record is a powerful opening statement, inviting intrigue via noisy refrains and textural guitar. It examines the dual themes of love and loss, woozily delivered as if dreamlike.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3wDdiaigh2OYdo3Z6iCzk5?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":57786318127368,"sku":"4AD0409LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/339260-1.jpg?v=1778184054"},{"product_id":"his-name-is-alive-home-is-in-your-head-black-vinyl","title":"His Name Is Alive - Home Is In Your Head (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThe band’s second album with 4AD, recorded in Warren Defever's home studio and remixed by Ivo Watts-Russell and John Fryer (as with their debut), sees 23 songs quick-firing through emotions, with moments of soothing calm soon clashing with white noise and visceral chaos. Highlights include \"Her Eyes Were Huge\", on which lightly strummed acoustic guitar uplift Karin Oliver’s swooning, gossamer drawl; the synth-led, inquisitive and prickly \"Are We Still Married?\"; and pensive instrumental waltz \"Siting Still Moving Still Staring Outlooking\" (synced in 1996’s \u003cem\u003eJerry Maguire\u003c\/em\u003e). A varied yet grounded compilation of new material and old (some dating back to Defever’s junior high days), it found the band entering a confident creative stride, leaving listeners enthralled by both its beauty and darkness and proving Defever’s inspired productions utterly unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/7I0VFFotoizHk2FoNP3V9F?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":57786324058376,"sku":"4AD0410LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/338573-4.jpg?v=1778184573"},{"product_id":"his-name-is-alive-mouth-by-mouth-black-vinyl","title":"His Name Is Alive - Mouth By Mouth (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eHis Name Is Alive’s third record on 4AD, the first where the band controlled all processes including mixing, saw a marked shift; their most diverse, yet accessible catalogue entry. The project’s soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the record’s sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (\"Lord, Make Me A Channel of Your Peace\", \"The Homesick Waltz\"), sugar-sweet 1960s pop (\"Baby Fish Mouth\", \"Lip\"), distortion-laden dream-gaze (\"Can’t Go Wrong Without You\"), evocative alt-noise (\"Sick\"), or strummy folk (\"Where Knock Is Open Wide\"). Embracing the surreal and turning their experimentalism up a notch and with Defever’s studio skills truly blossoming, many see this as a high point for the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/7bff3Hql4bR05CPNvC0JJs?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":57786358661384,"sku":"4AD0411LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/339023-2.jpg?v=1778186295"}],"url":"https:\/\/shopmusicandriots.com\/collections\/4ad.oembed?page=3","provider":"Music And Riots ","version":"1.0","type":"link"}