{"title":"Electronic\/Ambient\/Krautrock","description":"","products":[{"product_id":"caterina-barbieri-spirit-exit-double-black-vinyl","title":"Caterina Barbieri - Spirit Exit (Double Black Vinyl)","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe musical vortexes of Caterina Barbieri rewire time and space. Listening to the Italian composer and modular synth virtuoso has felt like traveling at light-speed and slow-motion all at once since 2017’s breakthrough double-album Patterns Of Consciousness. 2019’s acclaimed Ecstatic Computation pushed even further with the lead single “Fantas”, where a haunting melody hurtling towards its supernova climax felt like witnessing the life and death of a burning star. Far beyond any new age trope or modern synth trend, her music stands alone in its ecstatic intensity and cataclysmic emotional impact. Marking the debut album on her new label light-years, Barbieri now delivers her most profound work yet — a journey through inner-space as vast as a universe and as intimate as a heartbeat. The Spirit Exit opens and we fall in.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpirit Exit is Caterina Barbieri’s time machine, primarily composed with a modular synth rig she thinks of more like a mechanical fortune teller. Whereas previous releases were constructed on lengthy tours, capturing only snapshots of continually evolving works, Spirit Exit represents the producer’s first album fully written and recorded in her home studio amidst Milan’s two-month pandemic lockdown in 2020. It was during this extended isolation she found inspiration\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efrom female philosophers, mystics and poets spread across time, but united in their strength at cultivating vast internal worlds. St. Teresa D’Avila’s foundational 16th century mystical text The Interior Castle, philosopher Rosi Braidotti’s posthuman theories and the metaphysical poetry of Emily Dickinson act as thematic anchors throughout Spirit Exit, imbuing a life and death gravity into the composer’s most perception-altering music to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMore than any release before it, Spirit Exit crystallizes Barbieri’s densely layered, blindingly bright synth arrangements while introducing stunning new elements that feel as if they’ve always belonged. Strings and guitar flawlessly thread into the composer’s web of modular patches, while her revelatory singing voice often cuts right through them. Melodies remain Barbieri’s great passion and obsession — she thinks of them as knots she’s trying to untangle, existential metaphors formed through tensely spiraling arpeggios — and on Spirit Exit they grow as large as planets before cracking into atoms. Parts of one song can haunt another. The synth progression unraveling through “Knot Of Spirit” is reborn on “Broken Melody”, an explosive peak with vocals that flash like a lightning storm. The sweeping “At Your Gamut” perfects the producer’s dramatic, slow-burning openers, but in her first ever use of sampling, it later gets crushed, accelerated and unrecognizably transformed into the ghostly hook surging through “Terminal Clock” — an otherworldly sound rushing across what feels like the artist’s first track for a dancefloor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCaterina Barbieri’s music has always transported listeners, its perpetual movement achieved through complexities that needn’t be solved, but simply felt. Spirit Exit articulates that endless ascension — destination unknown, resolution always just out of reach — with a newfound humanity. It’s the result of a one-of-a-kind artist deeply reflecting on what music means to them, only to return with an even greater understanding of what it can be. As the album closes on “The Landscape Listens” — a song that approaches death with all the gentle grace of Brian Eno’s “An Ending (Ascent)” — it brings to mind the full line of Emily Dickinson’s poem “There’s a certain slant of light”. “When it comes — the landscape listens \/ Shadows — hold their breath.” Spirit Exit is a special kind of seance, an album so otherworldly and inexplicably moving it leaves even its ghosts in a stunned silence.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e","brand":"Light Years","offers":[{"title":"Default Title","offer_id":43920488202504,"sku":"","price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0860446015_10.jpg?v=1672936863"},{"product_id":"luca-yupanqui-sounds-of-the-unborn-limited-edition-on-clear-vinyl-with-green-splatter","title":"Luca Yupanqui - Sounds of the Unborn (Limited Edition on Clear Vinyl with Green Splatter)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLuca Yupanqui was not yet born when she recorded her debut album. 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She founded Touchtheplants, a multidisciplinary creative environment for projects including the first volumes in her instrumental Electronic Series and pocket-sized poetry books on the practice of listening within. She’s continued to explore the endless possibilities of electronic instruments as well as the shapes, movements, and expressions found in the physical body’s relationship to sound and color. It is this life-guiding interest that forms the foundational frequencies of her most recent full-length, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Mosaic of Transformation\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, a bright, sensorial glide through unbound wave phenomena and the radiant power discovered within oneself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Mosaic of Transformation\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a holistic manifestation of embodied motions. 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If\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eFor Emma, Forever Ago\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas the crisp, heart-strung isolation of a northern Winter;\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eBon Iver\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003ethe rise and whirr of burgeoning Spring; and\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e22, A Million\u003c\/i\u003e, a blistering, “crazy energy” Summer record,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ei,i\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003ecompletes the cycle: a fall record; Autumn- coloured, ruminative, steeped. 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In this, Junior Boys have made an album that reflects the quiet beauty of the world, so long as you’re prepared to truly listen.\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Default Title","offer_id":43956742947080,"sku":"","price":17.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/81d3f382-1330-4c22-9c13-e890e98edd62.webp?v=1673540716"},{"product_id":"the-prodigy-the-fat-of-the-land-25th-anniversary-edition-double-metallic-silver-vinyl-edition","title":"The Prodigy - The Fat Of The Land \"25th Anniversary Edition\" (Double Metallic Silver Vinyl Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003eThursday 30 June - marks 25 years since the release of The Prodigy’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Fat of the Land\u003c\/i\u003e; an album so iconic it turned the sound of underground rave music into a global force; capturing the world's attention and dominating the charts. In celebration XL Recordings announces two-anniversary releases including a limited edition 2LP silver 12” vinyl package of the original album with a reimagined version of Alex Jenkin’s artwork, and a brand-new remix of “Firestarter” by drum and bass pioneer Andy C.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Prodigy's third studio album\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Fat of the Land\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebecame a global phenomenon, debuting at number one on album charts around the world it has gone on to sell over 10 million copies. The album's journey started with the single “Firestarter”, which was released alongside a bold video that was shot in London’s abandoned Aldwych Tube station directed by Walter Stern.\u003c\/p\u003e","brand":"XL Recordings","offers":[{"title":"Default Title","offer_id":44216053432584,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/41dTXNPsAaL._UF1000_1000_QL80.jpg?v=1677155660"},{"product_id":"jessica-moss-galaxy-heart-180g-black-vinyl-poster","title":"Jessica Moss - Galaxy Heart (180g Black Vinyl + Poster)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGalaxy Heart is the companion album to Phosphenes (Nov. 2021) and completes an intensive body of work that Montreal composer-violinist Jessica Moss wrote, performed and self-produced in deep isolation throughout 2020.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs A Closer Listen wrote in its Top Ten Modern Composition list for 2021, “few musical voices represent so well the estrangement and intensity of our times; Moss is among the best of them.” Galaxy Heart consolidates this assessment, revealing the more exploratory and extemporaneous side of her profoundly expressive instrumental lyricism. Where Phosphenes showcased some of Moss’ most deliberate and accomplished post-classical compositions to date, Galaxy Heart quivers with a raw and searching energy, juxtaposing rough-hewn and honed pieces. Expanding the palette to include spiky semi-improvised electric guitar along with remotely-recorded guest contributions from drummer Jim White (Springtime, Xylouris White, Dirty Three) and contrebassist Thierry Amar (Godspeed You! Black Emperor) on a couple of tracks, the album inscribes a (mostly) instrumental space of bristling anguish, melancholia, resoluteness and conviction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOpening with the distorted dissonant string clusters\u003cspan class=\"bcTruncateMore\"\u003e of “Resistance Creature” and the through-composed knock-out “Uncanny Being”, with White’s roiling drums and Amar’s upright bass the simmering substratum for Moss’ alternately gritty and rounded violin movements, Galaxy Heart pivots to electric guitar and sludged post-industrial drone on “This Continuous Spectrum”, a descending melodic motif recurring over doomy low-end bursts and a slow broken-steam-engine beat. Side One closes with two vocal tracks: “Is There Room For All Of It” (again featuring White and Amar) has Moss singing and playing organ in a spine-tingling longform unison melody; the chilling title track “Galaxy Heart” calls back fractured electric guitar and droning pulse, with Moss belting out initially strangled, strident lines that give way to gently layered voicings in a cratered spaciousness—these dynamics then cycling forward like the sequences of a dying star. Side Two features three superb violin  tudes, each distinguished by Moss’ distinctively amplified violin timbres and her unique ear for the tropes of various folk traditions, interspersed with the plaintive but stately vocal song “Enduring Oceans”, and closing with “Opened Ending”, her mesmerizing contribution to Constellation’s Corona Borealis Longform Singles Series from 2020, previously released only as a digital track and short film by indie legend Jem Cohen (Fugazi’s Instrument documentary, Benjamin Smoke, Museum Hours).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eGalaxy Heart is cosmic music of dark matter and interstellar dust, of gravitational waves and celestial grit that connect messy terrestrial life—with its human, animal, natural suffering and beauty—to chaotic and unruly universal forces.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeluxe 180gram vinyl edition pressed at Optimal (Germany) in jacket and artworked inner printed with UV matte varnished inks. Includes DL card. Artwork by Jessica Moss.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Constellation","offers":[{"title":"Default Title","offer_id":44246982459656,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0089534203_10.jpg?v=1677681655"},{"product_id":"t-gowdy-therapy-with-colour-180g-back-vinyl-art-print","title":"T.Gowdy - Therapy With Colour (180g Back Vinyl + Art Print)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTherapy With Colour is the Constellation debut by Montréal-based producer and sound artist T. Gowdy, who has released three prior albums of exquisitely textured, predominantly ambient electronic music (most recently Pachira Aquatica via Shimmering Moods Records in 2019). His sublime audio\/visual performances have featured at MUTEK (Montréal and Barcelona) and Spektrum (Berlin), alongside his ongoing work as an in-demand producer\/engineer with over fifty album credits to date, including Suuns (Secretly Canadian), Ensemble (Fat Cat) and Ada Lea (Saddle Creek) to name just a few.\u003cbr\u003e\u003cbr\u003eTherapy With Colour is Gowdy’s most sonically and conceptually acute solo work to date, inspired by experiments with the Nova Pro 100 Light and Sound Mind Machine (among the best-known home hypnosis “mind machine” devices, first released in the late 1990s). For Gowdy, the ritualized therapeutic reprogramming of consciousness that this technology purports to effect has two primary personal dimensions: “to explore psychological ‘debiasing’ and decorrelation of heteronormative narratives that exist within my familial, intimate and economic relationships; to let flow neutral communication with the self and others” and to circumvent the technical biases and temporal blockages endemic to digital audio workstations and the computer-based\u003cspan class=\"bcTruncateMore\"\u003e editing that governs production of most electronic music. The album’s five tracks are extracted from live, linear, real-time stereo recordings that have their origins in an audio\/visual collaboration between Gowdy and light artist Laura Buckley (whose scanner artwork features on the album cover and packaging).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeluxe LP is a 180gram pressing on midnight ultrablack vinyl in 20pt uncoated paperboard jacket and audiophile black paper poly-lined dust sleeve with a 12” x 24” art print. Includes DL card.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Constellation","offers":[{"title":"Default Title","offer_id":44247013654792,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a4158959470_10.jpg?v=1677682188"},{"product_id":"daft-punk-random-access-memories-10th-anniversary-triple-black-vinyl-edition","title":"Daft Punk - Random Access Memories (10th Anniversary Edition on Triple Black Vinyl)","description":"\u003cdiv class=\"sc-hPmGNk gmjmGX\"\u003e\n\u003cdiv class=\"sc-fBNLhH gxWzco\"\u003e\n\u003cdiv data-testid=\"description-product\" class=\"sc-gKclnd sc-jaskfy bgmYbB dtqZmh\"\u003e\n\u003cp\u003e2023 marks the 10th anniversary of Daft Punk’s multi Grammy winning hit record\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRandom Access Memories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincluding ‘Get Lucky’, ‘Instant Crush’, ‘Lose Yourself To Dance’ and features Pharell Willams, Nile Rodgers, Julien Casablancas, Paul Williams, Panda Bear and Todd Edwards. To celebrate this milestone a special expanded edition is released including 35 minutes of unreleased music (Demo and Studio Outtakes). The triple vinyl also includes a special Lose Yourself To Dance poster.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4mAhdh996uW5SnnFKXUmC0?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":44252177858824,"sku":"","price":56.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/Daft-Punk_be786cf0_thumbnail_2048.webp?v=1677758117"},{"product_id":"blanck-mass-in-ferneaux-limited-edition-on-magenta-colored-vinyl","title":"Blanck Mass - In Ferneaux (Limited Edition on Magenta Colored Vinyl)","description":"\u003cspan\u003eWhat is the utility of pain? Can it do anything but fester? In Ferneaux explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn encounter with a prophetic figure on the streets of San Francisco presented the question of “how to handle the misery on the way to the blessing.” This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest – without movement, without the consumerist agenda of “new experiences.” The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that “Hell is other people,” but perhaps this is the Inferno of the present: the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003espace of sitting with the self.\u003cbr\u003e\u003cbr\u003eA blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291755475208,"sku":"","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a1426746037_10.jpg?v=1678457078"},{"product_id":"blanck-mass-animated-violence-mild-black-vinyl","title":"Blanck Mass - Animated Violence Mild (Black Vinyl)","description":"\u003cspan\u003e“In this post-industrial, post-enlightenment religion of ourselves, we have manifested a serpent of consumerism which now coils back upon us. It seduces us with our own bait as we betray the better instincts of our nature and the future of our own world. We throw ourselves out of our own garden. We poison ourselves to the edges of an endless sleep.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnimated Violence Mild was written throughout 2018, at Blanck Mass’ studio outside of Edinburgh. These eight tracks are the diary of a year of work steeped in honing craft, self-discovery, and grief - the latter of which reared its head at the final hurdle of producing this record and created a whole separate narrative: grief, both for what I have lost personally, but also in a global sense, for what we as a species have lost and handed over to our blood-sucking counterpart, consumerism, only to be ravaged by it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eI believe that many of us have willfully allowed our survival instinct to become engulfed by the snake we birthed. Animated — brought to life by humankind. Violent — insurmountable and wild beyond our control. Mild — delicious.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is perhaps the most concise body of work I have written to date. Having worked extensively throughout my musical life with\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003edramatics, narrative, and ‘melody against all odds’, these tracks are the most direct and honest yet. The level of articulation in these tracks surpasses anything I have utilized before.”\u003c\/span\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291770450184,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0982406275_10.jpg?v=1678457334"},{"product_id":"mort-garson-plantasia-black-vinyl","title":"Mort Garson - Mother Earth's Plantasia (Black Vinyl)","description":"\u003cp data-end=\"349\" data-start=\"0\"\u003eBefore Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon landing with plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell’s \u003cem data-end=\"347\" data-start=\"316\"\u003eBy the Time I Get to Phoenix. \u003c\/em\u003eIn the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting itself in our minds, our homes, and our culture: a book called \u003cem data-end=\"663\" data-start=\"636\"\u003eThe Secret Life of Plants\u003c\/em\u003e. Written by Peter Tompkins and Christopher Bird, the book shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon. Seemingly overnight, the indoor plant business was in full bloom, and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges.\u003c\/p\u003e\n\u003cp data-end=\"1687\" data-start=\"1090\"\u003eThe science behind \u003cem data-end=\"1122\" data-start=\"1109\"\u003eSecret Life\u003c\/em\u003e was specious: plants could hear our prayers, act as lie detectors, communicate telepathically, predict natural disasters, and even receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants. Perhaps the wildest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or whatever from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home \u003cem data-end=\"1646\" data-start=\"1635\"\u003ePlantasia\u003c\/em\u003e—an album recorded especially for them.\u003c\/p\u003e\n\u003cp data-end=\"2126\" data-start=\"1689\"\u003eSubtitled \u003cem data-end=\"1762\" data-start=\"1699\"\u003e“Warm Earth Music for Plants… and the People That Love Them,”\u003c\/em\u003e it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog. Plants date back to the dawn of time, but apparently, they loved the Moog—never mind that the synthesizer had been on the market for just a few years. Most of all, the plants loved the ditties made by composer Mort Garson. Few characters in early electronic music could be both fearless pioneers and cheesy trend-chasers, but Garson embraced both extremes—perhaps explaining why he has been so unheralded as a result.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"352\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/0NJRPgK15C8qoLuQv1hChv?utm_source=generator\" style=\"border-radius: 12px;\" data-testid=\"embed-iframe\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291834183944,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a1833416591_10.jpg?v=1678458732"},{"product_id":"follakzoid-i-double-black-vinyl","title":"Föllakzoid - I (Double Black Vinyl)","description":"\u003cspan\u003eThe long-awaited fourth full-length by Föllakzoid isn’t merely a recalibration for the band. It is a multidimensional reconsideration of what the process of songwriting, performance, and creating a work of recorded music can be.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFöllakzoid grows via depuration, aiming with each record to fill longer spaces of time with fewer and fewer elements. The creative perspective of the band has always been about unlearning the narrative and musical knowledge that shape the physical and digital formats and conceptions available, both visually and musically in order to make a time-space metric structure that dissolves both the author and the narrative paradigms. “We found our sonic and metric identity even more in these songs than in our previous attempts,” guitarist\/singer Domingæ Garcia-Huidobro explains.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUnlike past Föllakzoid records, that were done in single takes with the full band, this record took three months to construct out of more than 60 separate stems – guitars, bass, drums, synthesizers, and vocals, all recorded in isolation. Producer Atom TM, who was not present for recording, was then asked to re-organize the four sequences of stems without any length, structural restrictions or guidelines. Those sequences ultimately became the four long tracks that\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eappear on I.\u003cbr\u003e\u003cbr\u003eThe result of this was a set of songs where neither the band’s, nor the producer’s, structural vision primarily shaped the metric or tonal space shifts, but where both were still subliminally present in each of the parts that form the structure and the frequency modulations that guide them.\u003cbr\u003e\u003cbr\u003e“We invite you to join us in sharing the experience of being led by this non-rational, sonic artform and its energy. It is also an invitation to connect once again with your inner master and his intuition, erasing the systematic rationalization that usually follows creative forces when perceived, to guide you on this holographic simultaneous simulation where reality is rooted in,” Domingae added.\u003c\/span\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291873636616,"sku":"","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a2705756008_10.jpg?v=1678459497"},{"product_id":"john-carpenter-cody-carpenter-and-daniel-davies-halloween-original-motion-picture-soundtrack-black-vinyl","title":"John Carpenter, Cody Carpenter, and Daniel Davies - Halloween: Original Motion Picture Soundtrack (Black Vinyl)","description":"\u003cspan\u003eWhen the new Halloween movie hits theaters in October 2018, it will have the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch. Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5\/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“We wanted to honor the original Halloween soundtrack in terms of the sounds we used,” Davies explained. “We used a lot of the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eDave Smith OB-6, bowed guitar, Roland Juno, Korg, Roli, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano.”\u003cbr\u003e\u003cbr\u003eUnlike the Lost Themes albums, where the composers wrote the soundtracks for imaginary movies, Halloween saw the Carpenters and Davies collaborating on music set to images for the first time. Though it marked a significant change from their previous creative process, the trio thrived under the constraints and tight deadlines that film scoring work demands.\u003cbr\u003e\u003cbr\u003e“Being limited by the length of time in scoring the sequence, we focused on the director’s tempo, timing, and vision,” Davies said. “He would tell us what he had in mind, how long the cue should be, what emotion he wanted, and we would take it from there. It’s only the three of us, there is no elaborate system. We wrote, performed, and orchestrated everything.”\u003cbr\u003e\u003cbr\u003eFor John Carpenter, who reunited on the new film with original Halloween star Jamie Lee Curtis, composing the score felt like a homecoming. Not only had he not worked on a Halloween movie in 35 years, he hadn’t composed a soundtrack since his 2001 sci-fi thriller Ghosts of Mars.\u003cbr\u003e\u003cbr\u003e“It was great,” Carpenter said of the experience. “It was transforming. It was not a movie I directed, so I had a lot of freedom in creating the score and getting into the director's head. I was proud to serve David Gordon Green’s vision.”\u003cbr\u003e\u003cbr\u003eFor Cody Carpenter, John’s son, and Davies, his godson, it was surreal to work on something that means so much to generations of fans, and that they grew up around.\u003cbr\u003e\u003cbr\u003e“It was an honor for us to be involved, and we are really happy to be a part of something that so many people are anticipating and excited about,” Davies said. “Working together with both the director of the new Halloween and the creator of the original Halloween was really a fantastic experience.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291892642056,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a2894453053_10.jpg?v=1678459781"},{"product_id":"john-carpenter-cody-carpenter-and-daniel-davies-halloween-kills-ost-limited-edition-on-orange-vinyl","title":"John Carpenter, Cody Carpenter, and Daniel Davies - Halloween Kills OST (Limited Edition on Orange Vinyl)","description":"\u003cp\u003eIn 2018, David Gordon Green’s Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highestgrossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter’s direct involvement since 1982’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalloween III: Season of the Witch\u003c\/i\u003e. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies.\u003c\/p\u003e\n\u003cp\u003eNow the scream team is back for the highly anticipated follow up\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalloween Kills\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalloween\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003emovie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith OB-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalloween Kills\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003escore director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.\u003c\/p\u003e\n\u003cp\u003eStandout tracks like “Unkillable” and “Rampage” feature skittering synths over deep four on the floor bass that create a full psychosis of dread before the guitars smash into the song like a semi creating a confusion over whether to headbang, dance, or run for you life. More tragic songs like “Michael’s Legend” and “Strode’s at the Hospital” showcase exquisite and delicate piano playing and prove the range of orchestration this team is capable of executing with mastery and vision. Like all of Carpenter’s legendary soundtracks\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHalloween Kills\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeatures incredible standalone music that like their\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLost Themes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003etrilogy of music made for imaginary films can be enjoyed thoroughly with or without the context of the film.\u003c\/p\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291906076936,"sku":"","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a3874776177_10.jpg?v=1678460177"},{"product_id":"john-carpenter-firestarter-original-motion-picture-soundtrack-limited-edition-on-yellow-and-bone-splatter-vinyl","title":"John Carpenter - Firestarter \"Original Motion Picture Soundtrack\" (Limited Edition on Yellow and Bone Splatter Vinyl)","description":"\u003cspan\u003eThe horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. 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These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":44291980001544,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0924438121_10.jpg?v=1678461973"},{"product_id":"john-carpenter-lost-themes-limited-edition-on-blue-vortex-vinyl","title":"John Carpenter - Lost Themes (Limited Edition on Blue Vortex Vinyl)","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003eJohn Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. 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In the months that followed, Lost Themes rightfully returned Carpenter to the forefront of the discussion of music and film’s crucial intersection. Carpenter’s foundational primacy and lasting influence on genre score work was both rediscovered and reaffirmed. So widespread was the acclaim for Lost Themes, that the composer was moved to embark on something he had never before entertained – playing his music live in front of an audience.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e2016 will host the first ever John Carpenter tour and in true Carpenter spirit, a sequel to Lost Themes: Lost Themes II. The follow-up brings quite a few noticeable changes to the process, which result in an even more cohesive record. Lost Themes’ cowriters Cody Carpenter (John’s son) and Daniel Davies (John’s godson) both returned. Cody was recently also heard as a composer for Showtime’s Masters of Horror series (Cigarette Burns and Pro-Life), and NBC’s Zoo. Davies was a composer for NBC’s Zoo, as well as the motion picture Condemned.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll three brought in sketches and worked together in the same city, a luxury they weren’t afforded on the first Lost Themes. The\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eresult was a more focused effort, one that was completed on a compressed schedule — not unlike Carpenter’s classic, notoriously low-budget early films. The musical world of Lost Themes II is also a wider one than that of its predecessor. More electric and acoustic guitar help flesh out the songs, still driven by Carpenter’s trademark minimal synth.\u003cbr\u003e\u003cbr\u003eKeep your eyes peeled for John and his co-writers to hit the road next year performing both lost and newly found themes, in addition to retrospective work from Mr. Carpenter’s multi-generational career. 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Stories and mysteries surround this gorgeous, ethereal album: that it includes tracks from 1985 (when Aphex Twin, aka Richard D James, was all of fourteen), that it was largely made with instruments built by James himself, that its success emboldened James to purchase a panzer tank. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe music matters more than any of that, because with \u003c\/span\u003e\u003ci\u003eSelected Ambient Works 85-92\u003c\/i\u003e\u003cspan\u003e, Aphex Twin expanded way beyond the ambient music of Brian Eno by fusing lush soundscapes with oceanic beats and bass lines. 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The album features 9 tracks, some of which can be heard in the new Paul Thomas Anderson film of the same name, with an extra track exclusively on vinyl. \u003c\/span\u003e\u003ci\u003eTraffic\u003c\/i\u003e\u003cspan\u003e kicks things off with a nagging hook and some throbbing electronics and this seems to be the common thread throughout this amazing album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere's traces of Autechre, Massive Attack, Vangelis and Tangerine Dream all over this but it's still all sewn together by Thom and his machines in a very unique style. It's a not a million miles from where he or Radiohead are right now but with tracks like the submarine bleep of \u003c\/span\u003e\u003ci\u003eNot The News\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eor the sizzling drum break dub of \u003c\/span\u003e\u003ci\u003eImpossible Knots\u003c\/i\u003e\u003cspan\u003e there really is only one man that makes music like this. 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Rapturously received by critics and executive produced by Martin Scorsese, \u003c\/span\u003e\u003ci\u003eUncut Gems\u003c\/i\u003e\u003cspan\u003e features token pulp action, starring Adam Sandler (in an outstanding career performance) as well as NBA star Kevin Garnett, Lakeith Stanfield, The Weeknd and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe hypnotic crime thriller follows Sandler's Howard Ratner in a twisted odyssey through the New York jewelry market, a charismatic man on the brink always on the lookout for the next big score. This is the second collaboration between Daniel Lopatin and the Safdie brothers following the highly acclaimed work for \u003c\/span\u003e\u003ci\u003eGood Time\u003c\/i\u003e\u003cspan\u003e, winner of the Best Soundtrack Award at Cannes and the Best Original Score for a Feature Film at the Hollywood Music in Media Awards. 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Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway.\u003c\/p\u003e\n\u003cp\u003eArriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with Lasse Marhaug. An esteemed avant-noise artist, Marhaug envisioned making music that would fall loosely in line with Throbbing Gristle. Kelly, on the other hand, had planned to create something inspired by Enya, an artist who has had an enduring impact on her creative being. They met each other halfway, pairing tough, industrial sounds with ethereal celtic mysticism, and creating music that ebbs and flows between tension and release.\u003c\/p\u003e\n\u003cp\u003eOne month later, Kelly called her label to tell them she had created something of an outlier, her ‘eighth album’.\u003c\/p\u003e","brand":"Smalltown Supersound","offers":[{"title":"Default Title","offer_id":44341067710728,"sku":"","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a1210404852_10.jpg?v=1679595681"},{"product_id":"stephen-mallinder-tick-tick-tick-black-vinyl","title":"Stephen Mallinder - Tick Tick Tick ... (Black Vinyl)","description":"\u003cspan\u003eCabaret Voltaire co-founder Stephen Mallinder’s second solo outing for Dais further distills his signature fusion of minimal synth, oblique wordplay, and “wonky disco” into a riveting rhythm suite ripe for our age of escalation: tick tick tick. Channeling the temporal malaise of lockdown through a lusher palette of modular electronics and stereo strings, the songs embrace ambiguity and plasticity, loose systems of percolating circuitry and airless funk. Recorded across a handful of sessions at MemeTune Studios in Cornwall with frequent collaborator Benge (aka Ben Edwards), Mallinder cites no guiding aesthetic premise for the collection beyond “cowbell on every track, and entirely no reverb.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the first coiled cybernetic groove of opener “Contact,” the album’s spatial dynamics are disorienting and asymmetrical, alternately cold and sensual, opiated and claustrophobic. But, throughout, “rhythm is the default, the bedrock, the building block – even the melodies are rhythmic.” Across 40-plus years of electronic musicianship, Mallinder’s sense of timing and tempo has honed into a rare tier of mastery, limber and fluid but knotted with strange frictions. Shades of Detroit technoid industrial (“ringdropp,” “Shock to the Body”) crossfade into no wavy punk-funk (“Guernica Gallery,”\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e“Galaxy,” “The Trial”), bad trip IDM (“Wasteland”), and jittery vapor house (“Hush”), at the threshold of modes both familiar and foreign.\u003cbr\u003e\u003cbr\u003eLyrically the record is equally evasive, rich with allusions and associative linguistics, surveying liquid notions of societal noise, ecological ruin, art world pretension, and the trials of daily life. But the lack of fixed meaning remains Mallinder’s main muse: “Music should draw you in; lyrics should make you think. Most interpretation is misinterpretation.” This is music of countdowns and comedowns, fleeting pleasures and opaque futures, observing the great decline while dancing on its ashes. Flux is deathless and forever; the rest, illusion: “I will be a constant figure \/ Flickering a moving picture \/ Turning in your head forever \/ Split apart but held together.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Dais Records","offers":[{"title":"Default Title","offer_id":44346378060040,"sku":"","price":16.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a1625390080_10.jpg?v=1679764816"},{"product_id":"lonelady-former-things-limited-edition-on-red-gold-vinyl","title":"Lonelady - Former Things (Limited Edition on Red Gold Vinyl)","description":"\u003cp\u003eAs her name indicates, LoneLady writes, performs, and records all the components of her music, building up her own soundworlds in a solitary creative process. Whereas previous albums at least allowed the occasional appearance of another human - a drummer - with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFormer Things\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eeven that has now gone.\u003c\/p\u003e\n\u003cp\u003eThis time, LoneLady has programmed all the beats and sequences, swapping her Telecaster guitar for an eclectic selection of synthesizers and hardware, their limitless creative potential providing the foundations to take the album in a new direction.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFormer Things\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a glowing assemblage of memory we want to preserve: a myth that we protect in our minds, to remember across the ages and inspire us always.\u003c\/p\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":44386282832136,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0717738136_10.jpg?v=1680778654"},{"product_id":"sohn-trust-red-vinyl","title":"SOHN - Trust (Red Vinyl)","description":"\u003cp\u003eHaving previously lived for extended periods in Vienna and Los Angeles, London-born Sohn now resides in the pine forests of Catalunya, Spain, and it is this new environment that inspired ‘Segre’. Named for the river that feeds into the Pyrenees in Northern Catalunya, Sohn explains, “during the last years of immense change and upheaval, following that river up to our mountain home has become my way of re-centring myself.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTrust\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003emarks a seismic shift in perception and direction for the solo artist, echoing Sohn’s new responsibility as the father of three children. Moving from Los Angeles to the serenity of Catalunya and the experience of parenthood changed his mindset. “I felt this kind of openness I hadn’t felt before, and I realised I couldn’t do it alone anymore - I was missing community and friendship in life and the creative process,” Sohn says. For the first time in his decade-long career the producer invited others to help him bring a new album to life, returning to LA (where he recorded Rennen) to work with Yakob, Mike Sonier, Chris Tabron, Jesse Boykins III, Ryan Linvill, Noah Le Gros and Emile Mosseri. Community, intimacy, family, and openness are key themes on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTrust\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eas the British producer reflects on his past life (Vienna in ‘Figureskating, Neusiedlersee’) and present reality (‘Montardit’, ‘Segre’). 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With \u003c\/span\u003e\u003ci\u003ekick iiii\u003c\/i\u003e\u003cspan\u003e, the cycle resolves, and a new species of xenopop emerges, sensual and serene. Arca’s talents as a composer and sound designer take the lead on closing track “Paw,” setting melodies to drift on deep, gentle waves of orchestral ambience, an oceanic bliss. 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The result is grim and gripping, seasick throbs lurching in a low-ceilinged space, strafed with fractured clanging, hissing steam, and grinding spirals of granular haze. Noise in its most elevated and compelling form, from and for the body as much as the mind.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s unique immediacy stems from Younger’s instinctual muse, reactivating raw methods with fresh energy. “I tuned back in to working with noise techniques again: more primitive equipment, cheap FX, contact mics, noise boxes.” Key guest contributions by Lucy Railton (cello), Mark Morgan of Sightings (guitar), Alex Tucker (vocals), and the late, legendary John Hannon (violin) further enrich the record’s bristling palette. Although half the tracks were begun pre-Covid at Hannon’s Essex studio, the rest were finished in Younger’s kitchen and living room during lockdown. 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The album continues with the debut's crackle-drenched yearning and bustling syncopations, haunted by the ghosts of rave, but also reveals some new Burial treats with a more glowing, upbeat energy.\u003c\/span\u003e","brand":"Hyperdub","offers":[{"title":"Default Title","offer_id":45129544204552,"sku":"","price":39.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a0158336333_10.jpg?v=1706189539"},{"product_id":"grouper-the-man-who-died-in-his-boat-black-vinyl","title":"Grouper - The Man Who Died In His Boat (Black Vinyl)","description":"\u003cspan\u003eThe Man Who Died in His Boat is an album of unreleased songs recorded alongside the Dragging a Dead Deer Up a Hill album. On this wonderful, foggy dream of a record, Portland's Liz Harris has gone and bested nearly everything she's done as Grouper. Music this lovely could almost change the world.\u003c\/span\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2arK6QEmfa25k2feNozs9e?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Kranky","offers":[{"title":"Default Title","offer_id":45274286424328,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/71QtNscHy8L._UF1000_1000_QL80.jpg?v=1709565131"},{"product_id":"mary-ocher-approaching-singularity-music-for-the-end-of-time-black-vinyl","title":"Mary Ocher - Approaching Singularity: Music For the End of Time (Black Vinyl)","description":"\u003cspan data-mce-fragment=\"1\"\u003eExperimental political pop artist Mary Ocher returns with a musical tour-de-force examining the collective dread of the impending future Feat. 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ORIENTE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eBY LA FÁBRICA.\u003c\/p\u003e\n\u003cp\u003eTHE SEVEN RECORDINGS ALTERNATE PALETTES OF PIANO CHORDS, ELECTRONIC TONES AND EXQUISITELY QUIVERING TIMBRES. THE FEELING OF EXPANSE IS PALPABLE IN THE ALBUM’S CLEAR RHYTHMIC CONSTELLATION AS EACH PIECE REVERBERATES ALONGSIDE AMPLE TENSES, A DREAMLIKE WASH OF SOUNDS, AND DISTANT STRINGS. HELD STATIC AND ABSORBED BY THE PAIR’S INTERPLAY OF MICROTONAL SHIFTS, VRIOON TAKES THE LISTENER THROUGH DIGITAL DUST AND VORTICES OF WEIGHTLESS HARMONICS TO RESOLVE A RARIFIED VIBRANCY IN THE CLOSING PIECE. 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