{"title":"Matador","description":"","products":[{"product_id":"fucked-up-david-comes-to-life-10th-anniversary-limited-edition-on-double-lightbulb-yellow-vinyl","title":"Fucked Up - David Comes to Life (10th Anniversary Edition on Double Lightbulb Yellow Vinyl w\/ Alternate Cover Art and Fold-Out Poster)","description":"\u003cp data-mce-fragment=\"1\"\u003eIn 2011, Toronto’s Fucked Up delivered an album that chafed the edges of punk rock’s conceptual boundaries –a set of songs that splayed freely into unexpected instrumentation, psychedelic drift, and situationist philosophy. Its ambition was limitless and its run time opulent. Which is to say, they made a concept album.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMatador Records celebrate the 10th anniversary of Fucked Up’s titanic 78-minute early ’10s masterpiece,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDavid Comes to Life\u003c\/i\u003e, with a limited-edition 2xLP reissue on lightbulb-yellow vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDavid Comes To Life\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a story of lost love, global meltdown, depression, bombs, guilt and madness. Or is it? A modern-day morality tale set amid the dour backdrop of a British industrial town in the late ’70s, it’s a four-part play that follows the dark moods and inner psyche of the titular hero. At the same time, the reliability of the narrator gets called into question. The tables are turned, responsibility shifts, and the story goes meta. Of course,you could always ignore the backstory and just listen to a fiercely imaginative double album of blistering, melodic rock'n'roll shot through with all manner of psychic weirdness.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4nQlvOMRy08z0sgT4O4Ihq?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43914763206920,"sku":"","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/125618-fucked-up-david-comes-to-life.jpg?v=1672849654"},{"product_id":"bardo-pond-amanita-25th-anniversary-double-deep-purple-vinyl","title":"Bardo Pond - Amanita \"25th Anniversary\" (Double Deep Purple Vinyl)","description":"\u003cp data-pb-style=\"62F264DC683C8\" data-mce-fragment=\"1\"\u003e\u003cspan data-pb-style=\"62F264DC683D3\" data-mce-fragment=\"1\"\u003eMatador Records will celebrate the 25th anniversary of Bardo Pond’s long out-of-print second album and label debut, \u003cem data-mce-fragment=\"1\"\u003e\u003cspan class=\"markk06pl0o6x\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eAmanita\u003c\/span\u003e\u003c\/em\u003e, with a newly remastered 2xLP reissue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pb-style=\"62F264DC683F4\" data-mce-fragment=\"1\"\u003e\u003cspan data-pb-style=\"62F264DC683FE\" data-mce-fragment=\"1\"\u003eFormed in 1991, the Philadelphia-based quintet have spent some thirty years mapping guitar music’s outer limits ­– dialing into extremes of noise, chaos, and harmony in free-form compositions that now unfurl across 12 full-length records and a near-limitless body of EPs, cassettes, and CD-Rs Recorded by the lineup of John Gibbons (guitar), Michael Gibbons (guitar), Isobel Sollenberger (voice, flute), Clint Takeda (bass), and Joe Culver (drums), \u003cem data-mce-fragment=\"1\"\u003e\u003cspan class=\"markk06pl0o6x\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eAmanita\u003c\/span\u003e\u003c\/em\u003e is the place where the band’s spontaneous collective creativity blazed into maturity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pb-style=\"62F264DC68409\" data-mce-fragment=\"1\"\u003e\u003cspan data-pb-style=\"62F264DC68414\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-pb-style=\"62F264DC68429\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan class=\"markk06pl0o6x\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eAmanita\u003c\/span\u003e\u003c\/em\u003e was a manifesto of everything we were trying to do,” says Michael Gibbons. It was really a template for everything we did later. We were a real unit – just so creative, just making up riffs. There were songs, but they were still rooted in our free-improv base. We had a beauty, but we also had a really strong impulse to be dissonant.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pb-style=\"62F264DC68434\" data-mce-fragment=\"1\"\u003e\u003cspan data-pb-style=\"62F264DC6843F\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-pb-style=\"62F264DC68454\" data-mce-fragment=\"1\"\u003eEven within the heady subcultural micro-verse of ’90s underground zoner-music, the Fishtown-basement-dwelling quintet’s vision of “psychedelia” was singular in its heaviness. “We weren’t interested in the cliched idea of what that term meant,” says Gibbons. “We were very interested in the psychedelic experience as it being a bridge to rebirth.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pb-style=\"62F264DC68474\" data-mce-fragment=\"1\"\u003e\u003cspan data-pb-style=\"62F264DC6847F\" data-mce-fragment=\"1\"\u003e“What’s the chemical your brain releases when you’re overwhelmed? Endorphins. That’s what we were trying to get to when we played these parts.” \u003c\/span\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43915349688584,"sku":"","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/s-l1600.jpg?v=1672856553"},{"product_id":"yo-la-tengo-this-stupid-world-limited-edition-on-double-clear-blue-vinyl-release-date-10-02-2023","title":"Yo La Tengo - This Stupid World (Double Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eComing February 10: the most live-sounding Yo La Tengo album in years, This Stupid World. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTimes have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. In their latest effort, the first full-length in five years, This Stupid World was created all by themselves. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere’s an immediacy to the music, as if the distance between the first pass and the final product has become more direct.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xmA_d2DM57U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43918961770760,"sku":"","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a0932855106_10.jpg?v=1672927214"},{"product_id":"algiers-shook-limited-edition-on-double-gold-vinyl-24-02-2023","title":"Algiers - Shook (Limited Edition on Double Gold Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003eSo Algiers formed a crew. The band—who have built one of the most exciting catalogs and cult followings of recent years, with 2020’s There Is No Year described as \"electrifying and unpredictable\" (The Observer) and \"precise, thoughtful and powerful\" (NME) —gathered a posse of like-minded artists to create their fourth album, SHOOK, out February 24th on Matador. Stacked with guests spanning icons through to future stars, SHOOK is a lightning rod for an elusive yet universal energy and feeling. A plurality of voices; a spiritual and geographical homecoming; a strategy of communion in a burning world; the story of an end of a relationship; an Atlanta front porch summer party. Ultimately, it's a 17-track set of the most mind-expanding and thrilling music that you are likely to hear anytime soon. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlgiers have always been unflinching, but SHOOK is at the same time notably joyous and celebratory. It was born when Fisher and Mahan found themselves back in their native Atlanta for several months, reeling from growing pressures and burnout as touring musicians. This triggered an intense period of beatmaking, reconnecting as friends over hours immersed in episodes of Rhythm Roulette and Against the Clock and descending deep into alt-rap YouTube rabbit holes. A revisit of DJ Grand Wizard Theodore’s 1970s punk-infused New York City rap masterpiece ‘Subway Theme’ served as a spiritual moodboard for the album’s cross-pollination of urban and counter-culture styles. Across the seamlessly flowing set, including spoken vignettes and ambient instrumental segues, the band pay respect to a sprawling lineage of rap and punk iconoclasts from DJ Premier, DJ Screw and Dead Boys to Lukah, Griselda and Dïat – chopping and screwing beats on a dusty SP-404 and a Sequential Circuits Tempest, building imagined sample libraries from scratch. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eWhile community and collaboration has always been integral to Algiers’ ethos, SHOOK brings this to its fullest manifestation. The liner notes read like a who’s who of ground-breaking and contemporary underground music, featuring Zack de la Rocha, Big Rube (The Dungeon Family), billy woods, Samuel T. Herring (Future Islands), Jae Matthews (Boy Harsher), LaToya Kent (Mourning [A] BLKstar), Backxwash, Nadah El Shazly, DeForrest Brown Jr. (Speaker Music), Patrick Shiroishi, Lee Bains III, and Mark Cisneros (Hammered Hulls, The Make-Up, Kid Congo Powers). Their contributions throughout deftly reshape and recontextualize the notion of being Shook from a variety of perspectives, occupying shifting roles as oracles and narrators. “It very much deepens and broadens the world of Algiers”, says drummer Matt Tong. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAtlanta, where the genesis of this record took place, is ultimately at its heart. It opens with a robotic train announcement from Hartsfield Airport—iconic to many Atlanta natives—that used to frighten Fisher when he was a child. Field recordings and original samples created by the band emphasize throughout a sense of place, collectivity, imagined community and home, all building a world that evokes the elusive sensory experience of growing up in the urban South. “We were working in an environment that we were used to”, says guitarist Lee Tesche. “It feels like the most Algiers record that we've ever made.” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eThe accomplishment of this record is made all the more impressive by the fact it was made by a band who were falling apart and on the verge of breaking up. But instead they have produced an extraordinary, transformative record born from a shared sense of place and experience. “I think this record is us finding home,” says Mahan, with Fisher adding: “It was a whole new positive experience— having a renewed relationship with the city we're from and having a pride in that. I like the idea that this record has taken you on a voyage but it begins and ends in Atlanta.” \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRACKLIST\u003c\/strong\u003e \u003cbr data-mce-fragment=\"1\"\u003e1. Everybody Shatter (ft. Big Rube) \u003cbr data-mce-fragment=\"1\"\u003e2. Irreversible Damage \u003cbr data-mce-fragment=\"1\"\u003e3. 73% \u003cbr data-mce-fragment=\"1\"\u003e4. Cleanse Your Guilt Here \u003cbr data-mce-fragment=\"1\"\u003e5. As It Resounds (ft. Big Rube) \u003cbr data-mce-fragment=\"1\"\u003e6. Bite Back (ft. billy woods \u0026amp; Backxwash) \u003cbr data-mce-fragment=\"1\"\u003e7. Out of Style Tragedy (ft. Mark Cisneros) \u003cbr data-mce-fragment=\"1\"\u003e8. Comment #2 \u003cbr data-mce-fragment=\"1\"\u003e9. A Good Man \u003cbr data-mce-fragment=\"1\"\u003e10. I Can’t Stand It! (ft. Samuel T. Herring \u0026amp; Jae Matthews) \u003cbr data-mce-fragment=\"1\"\u003e11. All You See Is \u003cbr data-mce-fragment=\"1\"\u003e12. Green Iris \u003cbr data-mce-fragment=\"1\"\u003e13. Born (ft. LaToya Kent) \u003cbr data-mce-fragment=\"1\"\u003e14. Cold World (ft. Nadah El Shazly) \u003cbr data-mce-fragment=\"1\"\u003e15. Something Wrong \u003cbr data-mce-fragment=\"1\"\u003e16. An Echophonic Soul (ft. DeForrest Brown Jr. \u0026amp; Patrick Shiroishi) \u003cbr data-mce-fragment=\"1\"\u003e17. Momentary (ft. Lee Bains III)\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43920095478024,"sku":"","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/algiers_shook.jpg?v=1672934563"},{"product_id":"circuit-des-yeux-io-black-vinyl","title":"Circuit des Yeux - -io (Black Vinyl)","description":"\u003ci data-mce-fragment=\"1\"\u003e-io\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the sixth album by vocalist and composer Haley Fohr, best known as Circuit des Yeux.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA celebrated figure in Chicago’s music community, she has released acclaimed albums via De Stijl, Thrill Jockey, and Drag City and toured throughout the world. However, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e-io\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is Circuit des Yeux’s most ornate and elaborate work to date – a set of compositions that nest Fohr’s otherworldly four-octave voice amid a 24-piece string, brass, and wind ensemble. The album was put to tape last fall by Cooper Crain at Chicago’s Electrical Audio studio and mixed by Marta Salogni (Bjork, Holly Herndon) with Fohr acting as arranger and producer. Written in the wake of personal loss and recorded in the midst of the pandemic, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e-io\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e maps a geography of grief – a place where “everything is ending all the time.” While Fohr’s music has never been short on ambition, these songs are striking in their brilliance and strangeness. 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The sonic leap forward can be heard from the first moments of the title track – the whispered voice and eerie synths erupting into a full-on stadium-sized adrenaline-rush of a chorus. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom there it’s all go – with electronic anthems, baroque FM rockers, smoldering slow-jam R\u0026amp;B, and heart rendering finger-picked ballads. The star of the show however is Lindsey’s voice. Her vocals and words are rawer, deeper, snarlier, and more feeling than ever before.\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43949657325832,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a3134705948_10.jpg?v=1673439273"},{"product_id":"darkside-spiral-double-black-vinyl","title":"Darkside - Spiral (Double Black Vinyl)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDarkside is an American band formed in Providence, Rhode Island in 2011. The group consists of Chilean electronic musician and vocalist Nicolás Jaar and American multi-instrumentalist Dave Harrington. Jaar and Harrington first met while studying in Providence through their common friend and saxophonist Will Epstein. In the summer of 2011, they toured Europe and Australia in support of Jaar’s breakthrough debut album \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eSpace Is Only Noise\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2018, Harrington and Jaar rented a small house on Lenni-Lenape territory, which is present-day Flemington, New Jersey. The group spent a week there, making a song a day. While it would take another year and a half to complete their second album, six songs from the band’s new record\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpiral\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewere written and recorded during this initial session.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":43956084015368,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/LDD73711___20685.jpg?v=1673535104"},{"product_id":"belle-and-sebastian-late-developers-black-vinyl","title":"Belle and Sebastian - Late Developers (Black Vinyl)","description":"\u003cspan data-mce-fragment=\"1\"\u003eArriving almost back-to-back to 2022’s Top Ten album ‘A Bit of Previous’, ‘Late Developers’ comes on like its predecessor’s sun-kissed cousin. It is a full-hearted embrace of the band's brightest tendencies that is not only fresh and immediate but possessing of that Belle and Sebastian je ne sais quoi of a group that will always be there for you with the perfect word or melody for the moment, while admitting tunefully that “Every girl and boy \/ each one is a misery” (“When The Cynics Stare Back FromThe Wall”).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Juliet Naked” channels frantic Billy Bragg-energy with rugged electric guitar and a football stadium worthy chant from Stuart Murdoch. 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Ikue’s percussion grounds the spirals of guitar and vocals with its strong central pulse, allowing everybody to achieve greater heights of musical\/visual disorientation.\u003c\/p\u003e\n\u003cp\u003eBody\/Head have thus far recorded a single for Dennis Tyfuss’ Ultra Eczama Editions, a tour EP for Nace’s own Open Mouth Productions, and released their collaboration with Morley through Feeding Tube Records.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44275622707464,"sku":"","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/transferir_1.jpg?v=1678197539"},{"product_id":"horsegirl-versions-of-modern-performance-limited-edition-on-purple-vinyl","title":"Horsegirl - Versions of Modern Performance (Limited Edition on Purple Vinyl)","description":"\u003cp\u003eHorsegirl are best friends. 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Horsegirl expertly play with texture, shape, and shade across the record, showcasing their fondness for improvisation and experimentation. 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The clip is taken from a short film featuring Hadreas and music from Ugly Season that is a visual companion to the project.\u003c\/p\u003e\n\u003cp\u003eSatterwhite is known for his immersive multidisciplinary technique that fuses live video, 3-D animation, drawing and print-making. His work has appeared at MoMa, The Smithsonian, The Whitney and the Studio Museum of Harlem. His music video and directing credits include the visual accompaniment to Solange’s When I Get Home.\u003c\/p\u003e\n\u003cp\u003eThe music of Ugly Season was written for Perfume Genius and choreographer Kate Wallich’s immersive dance piece, The Sun Still Burns Here. The work was commissioned by the Seattle Theatre Group and Mass MoCA and was performed via residencies in Seattle, Minneapolis, New York City and Boston throughout 2019. 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Recorded with John McEntire at Soma Studios in Chicago, it recalls the sonic innovation and lush cohesion of career high points like 1997‘s \u003c\/span\u003e\u003cspan\u003eI Can Hear the Heart Beating as One \u003c\/span\u003e\u003cspan\u003eand 2000’s \u003c\/span\u003e\u003cspan\u003e...And Then Nothing Turned Itself Inside Out. \u003c\/span\u003e\u003cspan\u003eThe album is a tapestry of fine melody and elegant noise, rhythmic shadowplay and shy- eyed orchestral beauty, songfulness and experimentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut \u003c\/span\u003e\u003cspan\u003eFade \u003c\/span\u003e\u003cspan\u003eattains a lyrical universality and hard-won sense of grandeur that’s rare even for this band. It weaves themes of aging, personal tragedy and emotional bonds into a fully-realized whole that recalls career-defining statements like \u003c\/span\u003e\u003cspan\u003eBlood on the Tracks, I Want to See the Bright Lights Tonight, \u003c\/span\u003e\u003cspan\u003eor Al Green's \u003c\/span\u003e\u003cspan\u003eCall Me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Nothing ever stays the same \/ Nothing’s explained,\" the band sing in unison on the reflective opening track \"Ohm\". \"We try not to lose our hearts \/ Not to lose our minds.\" It’s a straightforward sentiment for a band who prefer private intimation to forceful expression. It makes the song’s resistance to resignation feel that much more earned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first time \u003c\/span\u003e\u003cspan\u003eYo La Tengo \u003c\/span\u003e\u003cspan\u003ehas collaborated with producer John McEntire, best known for his work in Tortoise as well as for recording such artists as Bright Eyes, Stereolab and Teenage Fanclub. 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Fresh off the success of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCrooked Rain, Crooked Rain\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith its chart- topping Modern Rock hit\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCut Your Hair,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ethe band went into the studio and came out with a deliberately chaotic and eclectic album that sounded nothing like its predecessor. With influences from the Groundhogs to the Frogs, Captain Beefheart to the more obscure mid- ’80s central California hardcore bands featured on Maximum Rock’n’Roll comp ‘Not So Quiet On The Western Front’,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWowee Zowee\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003econfused critics and alienated fans.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-dkqQuH kFYkpo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"sc-eicpiI chgIcQ\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44323112386824,"sku":"","price":22.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/s-l1600_5.jpg?v=1679146264"},{"product_id":"pavement-westing-by-musket-and-sextant-black-vinyl","title":"Pavement - Westing (by Musket and Sextant) (Black Vinyl)","description":"\u003cdiv class=\"sc-hYQoXb jIDaf\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-hJZKUC bgmYbB cdmxxY\" data-testid=\"description-product\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThis is the first Matador pressing of Pavement’s Westing (By Musket And Sextant), the compilation of Pavement’s early work from 1989-1993.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eThe new pressing coincides with this year’s release of the Terror Twilight: Farewell Horizontal 4xLP box set and a 30th anniversary limited vinyl edition of Slanted \u0026amp; Enchanted. Pavement begins several months out touring by headlining Primavera Sound Barcelona before continuing onto sold-out tour dates in North America and Europe.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44323129000200,"sku":"","price":14.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/westing_1.jpg?v=1679146600"},{"product_id":"cat-power-moon-pix-black-vinyl","title":"Cat Power - Moon Pix (Black Vinyl)","description":"\u003cdiv class=\"sc-hDzdEj btpTnj\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-lcdCCa bgmYbB QASXT\" data-testid=\"description-product\"\u003e\n\u003cp\u003eThis is the classic, spooky and off kilter album from Cat Power. Chan adopts a kind of child-visionary persona, delivering an idiosyncratic mixture of surreal, direct, and insinuating lyrics that are enough to rend your heart the more you hear them. 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Rather than Prass’ sweet, soaring tones or White’s blue-eyed soul, Sprained Ankle is delivered in reedy whispers and chilled coos.\u003c\/p\u003e\n\u003cp\u003eReleased just before she turned 20 years old, the record still sounds raw - not that her voice lacks control or power, but rather that the weariness of songs about death, breakups, and existential questioning are sung with incredible presence. They’re coming of age songs from someone still coming of age, the wounds still fresh, the big truths currently being revealed. There are the struggles of depression, drugs, loneliness, but the clear-eyed way she faces it all supersedes any platitude.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44323219702024,"sku":"","price":24.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/aa57068e.webp?v=1679148847"},{"product_id":"julien-baker-little-oblivions-black-vinyl","title":"Julien Baker - Little Oblivions (Black Vinyl)","description":"\u003cdiv class=\"sc-hDzdEj btpTnj\"\u003e\n\u003cdiv class=\"sc-gKclnd sc-lcdCCa bgmYbB QASXT\" data-testid=\"description-product\"\u003e\n\u003cp\u003e\u003ci\u003eLittle Oblivions\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the third studio album by Julien Baker. Recorded in Memphis, TN, the record weaves together unflinching autobiography with assimilated experience and hard-won observations from the past few years, taking Baker’s capacity for storytelling to new heights. It also marks a sonic shift, with the songwriter’s intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-jTycuM hzwRli\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"sc-fZzbTk jJNdXs\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44323259056392,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/JB_APPROVED_1024x1024_2x_2c24a11a-8cda-4b8e-b64e-814f37670018.webp?v=1679149569"},{"product_id":"spoon-lucifer-on-the-sofa-limited-edition-on-opaque-orange-vinyl","title":"Spoon - Lucifer On The Sofa (Limited Edition on Opaque Orange Vinyl)","description":"\u003cp\u003eSpoon’s tenth album, Lucifer on the Sofa, is the band’s purest rock ’n roll record to date. 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Written and recorded over the last two years –both in and out of lockdown –these songs mark a shift toward something louder, wilder, and more full-color.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44323390619912,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/spoon_luciferonthesofa_cover.jpg?v=1679150663"},{"product_id":"yo-la-tengo-and-then-nothing-turned-itself-inside-out-double-black-vinyl","title":"Yo La Tengo - And Then Nothing Turned Itself Inside-Out (Double Black Vinyl)","description":"\u003cp\u003eTriumphant tenth album explores wintry landscapes of love, relationships and life.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile their colossal sonic achievements are well-documented, Yo La Tengo’s 2000 classic album is more \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn A Silent Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e than  \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eInterstellar Space\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e: a quietly intense melange of pulsing beats, acoustic guitar strum, ringing vibraphone and organ washes.  Add electric guitar buzzing underneath dreamy, nearly whispered vocals, and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eATNTIIO\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is more mood swing than song cycle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn their ninth studio album, Yo La Tengo have stripped away layers of electric guitar chaos from their sound.  Is it so we can hear their voices? So they can hear each other? Whatever the reason, Georgia and Ira’s most audible and distinctive vocal performances are genuinely intimate and affecting.\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44334305280264,"sku":"","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/61ehQqZ2LnL._UF1000_1000_QL80.jpg?v=1679417418"},{"product_id":"yo-la-tengo-summer-sun-double-black-vinyl","title":"Yo La Tengo - Summer Sun (Double Black Vinyl)","description":"\u003cdiv class=\"product-info-main\"\u003e\n\u003cdiv class=\"product info detailed\"\u003e\n\u003cdiv class=\"product data items\"\u003e\n\u003cdiv data-role=\"content\" id=\"description\" aria-labelledby=\"tab-label-description-title\" class=\"data item content\"\u003e\n\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cdiv data-decoded=\"true\" data-element=\"main\" data-appearance=\"default\" data-content-type=\"html\"\u003eThe latest from the brilliant Hoboken trio of Ira Kaplan, Georgia Hubley and James McNew finds them exploring the sunny landscapes of summer, in every imaginable mode of music. From the gorgeous \"Little Eyes\" to the ten-minute jam \"Let's Be Still\", this may be Yo La Tengo's most ambitious album to date.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product media\"\u003e\n\u003ca id=\"gallery-prev-area\" tabindex=\"-1\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cdiv class=\"action-skip-wrapper\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44334322876680,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/OLE-548_35.jpg?v=1679418147"},{"product_id":"yo-la-tengo-theres-a-riot-going-on-limited-edition-on-double-orange-vinyl","title":"Yo La Tengo - There's a Riot Going On (Limited Edition on Double Orange Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThere’s a riot going on. You don’t need me, or \u003cspan class=\"il\"\u003eYo\u003c\/span\u003e \u003cspan class=\"il\"\u003eLa\u003c\/span\u003e Tengo, to tell you that. These are dark times, in our heads as much as in the streets. It’s easy to lose contact with the ground. Confusion and anxiety intrude into daily life and cause you to lose your compass. There are times that call for anthems, something to lift \u003c\/span\u003e\u003cspan\u003eyou out of your slump and put fire in your feet. And \u003c\/span\u003e\u003cspan\u003esometimes what is needed is a balm, a sound that will wrap around you and work out the knots in your neck.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor \u003cspan class=\"il\"\u003eYo\u003c\/span\u003e \u003cspan class=\"il\"\u003eLa\u003c\/span\u003e Tengo, this is a slow-motion action painting. Ira Kaplan, Georgia Hubley, and James McNew did it all themselves, in their rehearsal studio, with no engineer and no complicated equipment (John McEntire later assisted in mixing). They did not rehearse together beforehand; they turned on the recorder and let things coalesce. Songs came together over long stretches, sometimes as much as a year going by between parts. You’d never guess this, since the layers are joined with such a liquid brush. You’d imagine most of the songs had sprung forth whole, since they will enter your head that way. 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Featuring obi-strip designed by longtime collaborator Boneface and pressed on standard black and limited-edition Opaque Orange vinyl. \u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44340193394952,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/queensto_1100x_85c8f73c-51c3-4480-9b06-e2bb15311d42.webp?v=1679581507"},{"product_id":"queens-of-the-stone-age-villains-reissue-limited-edition-on-white-vinyl-with-etching-bonefade-poster","title":"Queens of The Stone Age - Villains \"Reissue\" (Limited Edition on Double White Vinyl w\/ Etching and Bonefade Poster)","description":"\u003cp\u003e\"The title Villains isn't a political statement. It has nothing to do with Trump or any of that shit. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario: yours, mine and what actually happened... Everyone needs someone or something to rail against - their villain - same as it ever was. You can't control that. The only thing you can really control is when you let go.\" - Joshua Homme\u003c\/p\u003e\n\u003cp\u003eHundreds of epic shows, memory lapses, unexplained injuries, one yearlong detour with Iggy Pop and multiple Grammy nominations later, Queens Of The Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out August 25 on Matador Records.\u003c\/p\u003e\n\u003cp\u003eProduced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens Of The Stone Age since 2013's ...Like Clockwork gave the band its first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took ...Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, \"The most important aspect of making this record was redefining our sound, asking and answering the question 'what do we sound like now?' If you can't make a great first record, you should just stop - but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound.\"\u003c\/p\u003e\n\u003cp\u003eOf his role working within such a closed and confident ecosystem as Queens Of The Stone Age, Ronson says, \"Queens are and have always been my favorite rock n roll band ever since I walked into Tower on Sunset and bought Rated R in the summer of 2000, so it was incredibly surreal to be welcomed into their secret, pirate clan - or the 'jacuzzi' as Josh likes to call it. There were moments during the making of the album in which I was aware I was watching my musical heroes craft something that was sure to become one of my favorite moments on any Queens album. And to have some part in that felt like being in a dream--a very heavy, dark, wonderful dream.\"\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44340210860296,"sku":"","price":33.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/matlp1125ca__34932.jpg?v=1679581809"},{"product_id":"interpol-turn-on-the-bright-lights-black-vinyl","title":"Interpol - Turn On The Bright Lights (Black Vinyl)","description":"\u003cp\u003e\"The debut album from the NYC quartet is a filler-free, fully realized statement of intent. From the driving \"\"PDA\"\" to the monumental \"\"Untitled\"\" and the haunting \"\"Say Hello To The Angels\"\", this elegant and rich collection is a triumph of fin-de-siecle melancholy and youthful force.\"\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44355260875016,"sku":"","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/OLE-545_7.jpg?v=1680020878"},{"product_id":"interpol-antics-black-vinyl","title":"Interpol - Antics (20th Anniversary Limited Edition on Red Vinyl)","description":"\u003cp\u003eAfter two years of seemingly endless tours, the quartet returned in early 2004 to Peter Katis’s Tarquin Studios in Bridgeport, Conn., to record their second album. They had already debuted a handful of songs earmarked for Antics on the road: “Length of Love,” “Narc,” “C’mere.” Meanwhile, having revisited – and reinvented – the material from Bright Lights night after night, they discovered new strengths. There was more room for experimentation in these songs, for toying with arrangements and intricacies of individual parts, than on their debut.\u003c\/p\u003e\n\u003cp\u003eWith Antics, Interpol has delivered a disc even more engaging than its celebrated predecessor, without sacrificing any of the depth that has made them such an important band for so many. The songs are at once catchier and more variegated, revealing themselves over time to a degree heard on few current releases, and nothing is ever obvious. Frontman Paul Banks describes, “A lot of time, there are specific topics or events that that inspire the songs, but it’s not explicit in my lyrics.“ Indeed, with Interpol, things are rarely what they seem.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5NUna7cH8t5yLMgBxmW4NL?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44355293184264,"sku":"OLE1659LP3","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/2ae60351e04b79a80dd27ba7bd8841bd.900x900x1.jpg?v=1680021166"},{"product_id":"sonic-youth-eternal-double-black-vinyl","title":"Sonic Youth - Eternal (Double Black Vinyl)","description":"\u003cdiv\u003e\u003cspan\u003eThe Eternal is the fifteenth and final studio album by American alternative rock band Sonic Youth, released on June 9, 2009 by Matador Records, their first and only on that label. It was their first studio album in three years, making it the band's longest delay between studio albums.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44355436937480,"sku":"","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/OLE-829_1.jpg?v=1680022501"},{"product_id":"mary-timony-mountains-20th-anniversary-edition-expanded-double-vinyl","title":"Mary Timony - Mountains \"20th Anniversary Edition\" (Expanded Double Vinyl)","description":"\u003cspan\u003eRemastered by Bob Weston, Mountains comes back to us as a gold foil-embossed gatefold 2xLP and will include the previously unreleased original takes of “Return to Pirates,” “Poison Moon,” and “Killed by the Telephone,” which were delivered along with the original master tapes 20 years ago, but were omitted from the final album. The record is completed by a newly recorded orchestral version of “Valley of One Thousand Perfumes” produced by composer Joe Wong (Russian Doll, Midnight Gospel) and mixed by Dave Fridmann.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the turn of the century, Timony (Ex Hex, Wild Flag, Hammered Hulls) was already a celebrated presence in American underground music – a fixture of D.C. and Boston rock ’n’ roll via her work in Autoclave and Helium respectively. By 1998, though, Helium was drawing to a close and Timony was feeling uncertain about the future. “I had never been good at the rock’ n’ roll business, and making a living from being in a band just didn’t seem like it was in the realm of possibility for me,” she writes. “I just knew I wanted to make another record because that was the part of being in a band that I liked the most.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the time of its original release, Timony called ‘Mountains’, “A Trip to the New Underworld.” “A bunch of hard stuff was happening\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ein my life: family illnesses, people dying, people leaving, relationships ending. I fell into a deep depression,” she explains. “I tried new ways of making music: I tried writing songs without any filter at all, and I purposely didn’t think about what the music would sound like to anyone else. I was only interested in describing what was in my head.”\u003cbr\u003eRecorded and mixed in Boston alongside Christina Files and Eric Masunaga and in Chicago with Bob Weston, Mountains found Timony dialing into territory that was barer and more confessional than her work in Helium. Stark arrangements were augmented with newly ornate instrumentation — piano, vibraphone, and viola — and the lyrics were tinted with slyly occult imagery.\u003cbr\u003e\u003cbr\u003e“Listening back to Mountains now I am struck most by how raw it sounds,” says Timony. “I hear the depression and angst, but also I hear all of that darkness disappearing through the power of music and friendship—and turning into songs during those happy and productive months recording and hanging out in Christina’s loft in downtown Boston.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44359741145352,"sku":"","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/a1191890952_10.jpg?v=1680093426"},{"product_id":"bailter-space-wammo-25th-anniversary-limited-edition-on-transparent-orange-vinyl","title":"Bailter Space - Wammo \"25th Anniversary\" (Limited Edition on Transparent Orange Vinyl)","description":"\u003cp\u003e\u003cspan data-pb-style=\"62F264DC302F4\"\u003e\u003cem\u003eWammo \u003c\/em\u003ehas been remastered from the original tapes and returns to us pressed on translucent orange vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-pb-style=\"62F264DC302FE\"\u003eFormed in Christchurch, New Zealand in 1987 as Nelsh Bailter Space, the band’s musical family tree touches on some of the nation’s most revered weirdo luminaries – including Flying Nun mainstays like the Skeptics, the Clean, and the Gordons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-pb-style=\"62F264DC30309\"\u003eBailter Space embraced chaos, but celebrated precision, finding melody amid networks of brooding noise and feedback. After relocating to New York City, the band – who by then included Alister Parker, John Halvorsen, and Brent McLachlan –  arrived on Matador in in time for the US release of \u003cem\u003eRobot World \u003c\/em\u003e(1993). \u003cem\u003eWammo \u003c\/em\u003ewas the trio’s third and final full-length with the label (their fifth album overall) and was among its most tuneful efforts (relatively speaking!).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-pb-style=\"62F264DC30314\"\u003eAt the time, music scribes were a bit puzzled by the record’s “accessibility.” In the rear view, though, we can recognize \u003cem\u003eWammo\u003c\/em\u003e for the perfectly melancholy and drone-laced brain-zap that it is.\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44359980613896,"sku":"","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/ole1698_bailter_space_wammo.jpg?v=1680098189"},{"product_id":"fucked-up-glass-boys-black-vinyl","title":"Fucked Up - Glass Boys (Black Vinyl)","description":"\u003cp\u003eWith 2011's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDavid Comes To Life\u003c\/em\u003e, they offered up a full-blown rock opera, coming with one larger-than-life hook after another, and that made them even bigger, and further away from the Toronto hardcore scene that nurtured them.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGlass Boys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eisn't a retrenchment or a back-to-basics move; it's too ambitious and complex for that. But after those last two albums, it's tight and concise and direct, an album of real and direct sentiment rather than artifice.\u003c\/p\u003e\n\u003cp\u003eMusically,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGlass Boys\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecarries echoes of some of the more ragged and adventurous bands from America's punk past (Husker Du, Dinosaur Jr.), but it also has some of the anthemic charge of the Who and the guttural intensity of Negative Approach. Singer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDamian Abraham\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estill growls like a demon, but he's found more range and depth in his bark. Drummer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJonah Falco\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edoes something innovative on the LP, adding two separate drum tracks, one of them in half-time, adding a psychedelic, disorienting feel. (A limited vinyl edition of the album includes a bonus version that only features Falco's half-time drums.) The triple-guitar battalion of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eMike Haliechuk\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBen Cook\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJosh Zucker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estill builds symphonies out of feedback and power-chords, but this time around, there's less emphasis on world-crushing riffs and more on world-creating textures. Bassist\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSandy Miranda\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis now even more a part of that storm, her instrument blurring in with that overwhelming guitar roar.\u003c\/p\u003e\n\u003cp\u003eAnd if the album's lyrics concern the quest to stay true to your younger self, the music pulls off the trick beautifully. \"Echo Boomer,\" like \"Son The Father\" and \"Let Her Rest\" before it, makes for a powerful album opener, a surge of catharsis that gives a strong idea of what's to come. \"Sun Glass\" builds from acoustic strumming to bleary pummel and stays pretty the whole time. \"DET\" has one of those world-annihilating choruses that demands a full-room singalong. And the album-closing title track is a blast of epic catharsis as grand and forceful as anything this band has ever done. After two monumental concept-driven concept albums, Fucked Up have made another heart-expanding, life-affirming piece of work, and this time, they've done it by shooting straight from the heart.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44386747056392,"sku":"","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/products\/66fba423-ea9f-422c-9ad4-156250ab130c_1.1b17c38537f75857df0471777f6849f3.jpg?v=1680798597"},{"product_id":"queens-of-the-stone-age-in-times-new-roman-double-black-vinyl","title":"Queens of the Stone Age - In Times New Roman (Double Black Vinyl)","description":"\u003cp data-mce-fragment=\"1\"\u003e‘In Times New Roman...’, the 8th studio album from Queens of the Stone Age is raw, brutal \u0026amp; rough around the edges but with a refinement that reveals itself further with each successive listen — and QOTSA founder Joshua Homme’s lyrics are as witty and withering than ever. The results are instantly identifiable ; QOTSA’s sonic signature, expanded and embellished with new and unprecedented twists in virtually every song, a live in-a-room recording that showcases a band at the height of their creative powers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘In Times New Roman...’ is a party for the obscene and the clean, the outcasts and the weirdos, and anyone and everyone in between. One of the most important bands in recent rock history is B A C K but it’s no exaggeration to call this album a devastating rebirth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded at Pink Duck Studios, Shangri-La Studio, Dumbfox Studio.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProduced By Queens of the Stone Age Mixed By Mark Rankin.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":44834060599560,"sku":"","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/intimesnewroman.jpg?v=1699098738"},{"product_id":"kim-gordon-the-collective-limited-edition-on-coke-bottle-green-vinyl-08-03-2024","title":"Kim Gordon - The Collective (Deluxe Edition on Silver Vinyl + 7'')","description":"\u003cp data-mce-fragment=\"1\"\u003eMusician and visual artist Kim Gordon returns with her second solo album,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Collective \u003c\/i\u003eon Matador.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRecorded in Gordon’s native Los Angeles,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Collective\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efollows her 2019 full-length debut\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eNo Home Record\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":45120253296904,"sku":"","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/the-collective.webp?v=1705939652"},{"product_id":"mdou-moctar-funeral-justice-black-vinyl","title":"Mdou Moctar - Funeral Justice (Black Vinyl)","description":"\u003cp\u003e\u003ci\u003eFuneral For Justice\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis the new album by Mdou Moctar. Recorded at the close of two years spent touring the globe following the release of 2019 breakout\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAfrique Victime\u003c\/i\u003e, it captures the Nigerien quartet in ferocious form. The music is louder, faster, and more wild. The guitar solos are feedback-scorched and the lyrics are passionately political. Nothing is held back or toned down.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe songs on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFuneral For Justice\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003espeak unflinchingly to the plight of Niger and of the Tuareg people. \"This album is really different for me,\" explains Moctar, the band’s singer, namesake, and indisputably iconic guitarist. \"Now the problems of terrorist violence are more serious in Africa. When the US and Europe came here, they said they're going to help us, but what we see is really different. They never help us to find a solution.\"\u003c\/p\u003e\n\u003cp\u003e\"Mdou Moctar has been a strong anti-colonial band ever since I've been a part of it,\" says producer and bassist Mikey Coltun, who has been playing with Moctar since 2017. \"France came in, fucked up the country, then said ‘you’re free.’ And they’re not.\" The song ‘Oh France’ tackles this head on: “France veils its actions in cruelty\/ We are better without this turbulent relationship\/ We must understand their endless lethal games.”\u003c\/p\u003e\n\u003cp\u003eOn the lead single and title track, Moctar addresses African leaders directly, bidding them: \"Retake control of your countries, rich in resources \/ Build them and quit sleeping”. The song ‘Sousoume Tamacheq’ deals with the plight of the Tuareg people to which the band belong, and who are mainly spread across three countries: Niger, Mali and Algeria.\"Oppressed in all three\/In addition to lack of unity, ignorance is the third issue.\" Another song, ‘Imouhar’, calls on the Tuareg to preserve their Tamasheq language - it's at risk of dying out, and Mdou is one of the few in his community who knows how to write it. \"People here are just using French,\" laments Mdou. \"They're starting to forget their own language. We feel like in a hundred years no one will speak good Tamasheq, and that's so scary for us.\"\u003c\/p\u003e\n\u003cp\u003eMdou Moctar in its current iteration is first and foremost a band. Alongside Moctar, it consists of rhythm guitarist Ahmoudou Madassane, drummer Souleymane Ibrahim, and American bassist and producer Mikey Coltun.\u003c\/p\u003e\n\u003cp\u003eThe band got their start performing at traditional weddings. These are high energy events – amps are dialed up to 11 and the whole town is invited to attend. \"I grew up in the DC punk scene and this is no different,\" explains Coltun. \"It’s a DIY punk show: people bring generators, they crank their amps. Things are broken, but they make it work.\"\u003c\/p\u003e\n\u003cp\u003eConveying that energy and feeling of community to a new audience has been an important goal for the band. Their first concerts in the US were sometimes, mistakenly, organized to be tame seated affairs. That’s no longer the case. Over 100s of shows, they’ve proven themselves as one of the world’s most vital rock bands – a group rooted in Tuareg tradition, but undeniably its own singular organism. An Mdou Moctar concert is now recognized to be a place for dancing, if not full-force moshing.\u003c\/p\u003e\n\u003cp\u003e\"‘Ilana’ was the gateway album, saying that this is a raw rock band. And ‘Afrique Victime’ was a summation of that vision,” says Coltun, who recorded the entire record over five days in a mostly unfurnished house in upstate New York. “With ‘Funeral For Justice’, I really wanted this to shine with the political message because of everything that's going on. As the band got tighter and heavier live, it made sense to capture this urgency and this aggression – it wasn't a forced thing, it was very natural.”\u003c\/p\u003e\n\u003cp\u003eIn July 2023 – after\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFuneral For Justice\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehad been completed – Niger’s democratically elected government was deposed in a military coup. The president was placed under house arrest and the nation plunged into a state of chaos and uncertainty. The French have withdrawn. The area continues to be threatened by terrorism. The band – then on tour in the US – was, for a time, unable to return to their families. \"I don't support the coup,\" explains Mdou, \"but I never in my life liked France in my country. I don't hate France or French people, I don't hate American people either, but I don't support their manipulative policies, what they do in Africa. In 2023 we want to be free, we need to smile, you understand?\"\u003c\/p\u003e\n\u003c!----\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":45716169261320,"sku":"","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/202890-mdou-moctar-funeral-for-justice.jpg?v=1717420931"},{"product_id":"kurt-vile-wakin-on-a-pretty-daze-limited-edition-on-double-yellow-vinyl","title":"Kurt Vile - 'Wakin On a Pretty Daze' (Limited Edition on Double Yellow Vinyl)","description":"\u003cp\u003eIn 2023, Kurt Vile is making numbers count. Just last month, Matador Records presented the iconic Philadelphia songwriter with a (vegan) cheesesteak trophy to commemorate the 100-millionth stream of “Pretty Pimpin” on Spotify.\u003c\/p\u003e\n\u003cp\u003eToday, though, we’d like to draw your attention to another significant KV digit: The 10th anniversary of his fifth full-length and first 2xLP, ‘Wakin on a Pretty Daze’ (2013).\u003c\/p\u003e\n\u003cp\u003eTo celebrate this milestone, we’ve brought the record back as a blue + yellow vinyl split available via KV and Matador webstores. This limited pressing will also include a reproduction of the “make your own cover” ESPO sticker sheet that accompanied the original 2013 special-edition. A yellow vinyl version of the record will be made available everywhere.\u003c\/p\u003e\n\u003cp\u003eWhere previous albums alternated between gorgeous fingerpicking and heavy guitar workouts, ‘Wakin’ blended the two into dreamy and expansive songs that frequently stretched well out beyond the five-minute mark.\u003c\/p\u003e\n\u003cp\u003eBack then we said: “It’s a record that would have sounded great 30 years ago, sounds great today, and will still sound great 30 years from now.” Ten years down the line, we’re still confident that ‘Wakin’ will deliver the goods – yesterday, today, and in 2043.\u003c\/p\u003e\n\u003cp\u003eThe reissue serves as the latest entry in Matador Records’ Revisionist History series, our ongoing campaign to jog the record-buying (and streaming!) public’s memory about our many catalog items now poised to celebrate a significant anniversary. Matador will mark these anniversaries with new reissues and re-pressings. 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These players marshall their power, and Hadreas his macabre imaginings and gallows humor, to humane ends. Perfume Genius pries open a mildewed den full of alienation, longing and desire and lets it bask in the sunlight. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe record’s central conflict, says Hadreas, is the “back and forth between internal and external.” Promoting his string of beloved, increasingly ambitious albums during the past decade and a half—touring the world, dwelling in the public eye—clashed with his innate impulse toward isolation. For 'Glory,' he discovered a new songwriting process because he welcomed the dynamics of a group, leaving room in his compositions for his friends to flesh out the arrangements. As Hadreas says: “I’m more engaged with the band and the audience. 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This album slips through the cracks of convention with serpentine guitars, extraterrestrial static, and cavernous drums. No band but DARKSIDE could have made \u003c\/span\u003e\u003ci\u003eNothing\u003c\/i\u003e\u003cspan\u003e, and in no moment but now.\u003c\/span\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":51185980899592,"sku":"","price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/darkside_-_nothing.jpg?v=1744202884"},{"product_id":"car-seat-headrest-the-scholars-double-black-vinyl-28-page-booklet-with-illustrations-and-lyrics","title":"Car Seat Headrest - The Scholars (Double Black Vinyl + 28-Page Booklet with Illustrations and Lyrics)","description":"\u003cp\u003e\u003cspan\u003eThe first studio album from Car Seat Headrest in five years, ‘The Scholars.’\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom Shakespeare to Mozart to classical opera, Car Seat Headrest’s Will Toledo pulled from the classics when devising the lyrics and story arc of ‘The Scholars,’ while the music draws, carefully, from classic rock story song cycles such as The Who’s ‘Tommy’ and David Bowie’s ‘Ziggy Stardust.’ “One thing that can be a struggle with rock operas is that the individual songs kind of get sacrificed for the flow of the plot,” Toledo notes. “I didn’t want to sacrifice that to make a very fluid narrative. And so this is sort of a middle ground where each song can be a character and it’s like each one is coming out on center stage and they have their song and dance.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile Car Seat Headrest started as Toledo’s solo project, the four-piece is now fully a band. “What we’ve been doing more of in recent years is just taking the pulses of each other.” says Toledo. “It didn’t really feel to me like things got in sync in an inner feeling way until this record, with that internal communal energy. And it’s become that band feeling for me in a much more realized way. 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Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” - thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.\u003c\/p\u003e\n\u003cp\u003eOn February 16th, on the heels of the smashing success of Teens of Denial, Car Seat Headrest will release a new version of Twin Fantasy. “It was never a finished work,” Will says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker.  According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.\u003cbr\u003e\u003cbr\u003eIt’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Will, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those apologies to future me’s and you’s, there is more forgiveness than fury.\u003cbr\u003e\u003cbr\u003eThis, Will says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6gDtROOIYa6OQxwhDNkDRM?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52008387674376,"sku":"OLE10921","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a0202599159_10.jpg?v=1753027851"},{"product_id":"car-seat-headrest-teens-of-denial-double-black-vinyl","title":"Car Seat Headrest - Teens of Denial (Double Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eThere are two kinds of great lyrics. The first is the banger\/anthem catch phrase: \"Normal life is borin' \/ but superstardom is close to post-mortem.\" The second is more complex (and more rarely found): \"Like a bird on a wire \/ Like a drunk in a midnight choir\/I have tried in my way to be free\" — with ideas, themes, and personae unfolding over the course of songs, contradicting each other, confronting the listeners' preconceptions, like Pete Townsend, Morrissey, or Kendrick Lamar.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWill Toledo, the singer\/songwriter\/visionary of Car Seat Headrest, is adept at both, having developed them over the course of his eleven college-recorded Bandcamp albums and his retrospective collection last fall, Teens of Style. With Teens of Denial, his first real \"studio\" album with an actual band, Toledo moves from bedroom pop to something approaching classic-rock grandeur and huge (if detailed and personal) narrative ambitions, with nods to the Cars, Pavement, Jonathan Richman, Wire, and William Onyeabor.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"I’m so sick of \/ (Fill in the blank)\" or \"It’s more than you bargained for \/ But it's a little less than what you paid for\" are more than smart, edgy slogans. Over the course of Teens of Denial's 11 songs\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Will narrates a journey with his mysterious companion\/alter-ego Joe that addresses big themes (personal responsibility, existential despair, the nature of identity, the Bible, heaven) and small ones (Air Jordans, cops, whether to have one more beer, why he lost his backpack). By turns tender and caustic, empathetic and solipsistic, literary and vernacular, profound and profane, self-loathing and self-aggrandizing, he conjures a specifically 21st century mindset, a product of information overload, the loneliness it can foster, and the escape music can provide.\u003cbr\u003e\u003cbr\u003e“Fill in The Blank,” the mission statement of the album, kicks things off — it’s a fist-pumping anthem about feeling lousy in an ill-defined way, the fear of settling into a routine of futility, and not wanting to deal with it. Although it’s oddly joyful sounding, Toledo considers it the introduction to his angriest record yet. In that vein, “Vincent,” “Hippie Powers,” and “Connect The Dots” are about both fighting to hold your place in the crowd and to hold your drink, as well as DIY college house shows, and having no one to dance with, respectively. Initially similar, \"Drunk Drivers\/Killer Whales” veers off in surprising directions, each piece flush with huge, irony-free hooks.\u003cbr\u003e\u003cbr\u003eAt the heart of the album sits the 11:32 \"Ballad of the Costa Concordia,\" which has more musical ideas than most whole albums (and at that length, it uses them all). Horns, keyboards, and elegant instrumental interludes set off art-garage moments; vivid vocal harmonies follow punk frenzy. The selfish captain of the capsized cruise liner in the Mediterranean in 2013 becomes a metaphor for struggles of the individual in society, as experienced by one hungover young man on the verge of adulthood.\u003cbr\u003e\u003cbr\u003eTeens of Denial refracts Toledo's particular, personal story of one difficult year through cultural touchstones such as the biography of Frank Sinatra, the evolution of the Me Generation as seen in Mad Men and elsewhere, plus elements of eastern and western theology. The whole thing flaunts a kind of conceptual, lyrical, and musical ambition that has been missing from far too much 21st-century music.\u003cbr\u003e\u003cbr\u003eThere are two kinds of great lyricists. The first kind is one one you find in books, canonized by time and a lifetime of expression. The second has it all in front of him. Meet Will Toledo. 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The album is a gleaming megalopolis, a satellite view of eras and musical forms, a reframing of the y2k songbook that is at once awe-struck and mindful of its place in the vastness. “It ended up being about time, dinosaurs and space,” says Nate Amos. “We wanted to present a wide range of styles in a way that acknowledges everything’s just a tiny blip.”\u003c\/p\u003e\n\u003cp\u003eThe duo recorded the bulk of \u003cem\u003eIt’s A Beautiful Place\u003c\/em\u003e last summer, just as they have every other WFYE release: in Amos’s bedroom. But this time, much of the writing and recording were shaped around the dynamics of a full-blooded live group: “When you’re playing with a band you tend to write with one in mind - this was the first time I wrote anything for WFYE imagining us playing anywhere bigger than a basement,” he observes. \u003c\/p\u003e\n\u003cp\u003eThroughout the album is a clear sense of a band who have honed their curveballs into home runs. Looming and melancholy, wide-eyed and petrified, it’s Blade Runner meets WALL-E, it’s Kubrick and Asimov with a hint of Jay and Silent Bob. These are songs that look outward, conscious of our smallness and questioning our place in the universe while admiring the surrounding beauty.\u003c\/p\u003e\n\u003cp\u003e“A song can feel like everything, communicating vast emotional landscapes,” says Amos, “but your favorite album is less important than any person. That person is less interesting than any mountain. That mountain is boring compared to any planet. That planet is only a part of a solar system. 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(Limited Edition on Apple Green Vinyl w\/ Folded Poster)","description":"\u003cp\u003eDavid Byrne is proud to announce \u003cem\u003eWho Is the Sky?\u003c\/em\u003e, his first new album since 2018’s acclaimed and award-winning \u003cem\u003eAmerican Utopia\u003c\/em\u003e, which will be released September 5th by Matador Records. The album was produced by the Grammy-winning Kid Harpoon (Harry Styles, Miley Cyrus), while its 12 songs were arranged by the members of New York-based chamber ensemble Ghost Train Orchestra.\u003c\/p\u003e\n\u003cp\u003eMusical friends old and new, including St. Vincent, Paramore’s Hayley Williams, The Smile drummer Tom Skinner and \u003cem\u003eAmerican Utopia\u003c\/em\u003e percussionist Mauro Refosco, also make appearances on \u003cem\u003eWho Is the Sky?\u003c\/em\u003e, which is led by the infectious single \"\u003cem\u003eEverybody Laughs\u003c\/em\u003e.” \u003c\/p\u003e\n\u003cp\u003e“Someone I know said, ‘David, you use the word “everybody” a lot.’ I suppose I do that to give an anthropological view of life in New York as we know it,” says Byrne. “Everybody lives, dies, laughs, cries, sleeps and stares at the ceiling. Everybody’s wearing everybody else’s shoes, which not everybody does, but I have done. I tried to sing about these things that could be seen as negative in a way balanced by an uplifting feeling from the groove and the melody, especially at the end, when St. Vincent and I are doing a lot of hollering and singing together. Music can do that – hold opposites simultaneously. I realized that when singing with Robyn earlier this year. Her songs are often sad, but the music is joyous.”\u003c\/p\u003e\n\u003cp\u003eByrne was inspired to enlist Ghost Train Orchestra for the album after hearing their 2023 tribute album to the blind New York composer and street poet Moondog, and later that year jumped on stage with the group during a Brooklyn performance. Enticed by the 15-member Ghost Train’s varied instrumental lineup – which includes drums, percussion, guitar and bass along with strings, winds and brass – he thought to himself, “what if that’s what these new songs of mine sounded like?” Byrne asked if they’d want to serve as his band for the \u003cem\u003eWho Is The Sky?\u003c\/em\u003e sessions, and they quickly agreed.\u003c\/p\u003e\n\u003cp\u003e“I suspected that intimate orchestral arrangements would bring out the emotion I sense is there in these songs,” says Byrne, who is planning to tour \u003cem\u003eWho Is The Sky?\u003c\/em\u003e later this year. “It’s something that folks don't always hear in my work, but this time for sure I thought it was there. At the same time, I also see myself as someone who aspires to be accessible. I imagined that Kid Harpoon would help with that, as well as being a set of trusted ears, since there was a lot going on. People think of producers as people who mainly make a record sound good, and Kid Harpoon did that, but he was also aware of how important the storytelling is.”\u003c\/p\u003e\n\u003cp\u003eAn admitted “stickler when it comes to grooves,” Byrne welcomed late-in-the-game contributions from Skinner and Refosco, with whom he’s recorded and toured for more than 30 years. Mixed by Mark “Spike” Stent and mastered by Emily Lazar, the finished product is about both hiding and revealing, or as Byrne puts it, “a chance to be the mythical creature we all harbor inside. A chance to step into another reality. A chance to transcend and escape from the prison of our ‘selves.’” These concepts are heavily incorporated in the \u003cem\u003eWho Is The Sky?\u003c\/em\u003e album package, which was designed by Shira Inbar and finds Byrne nearly obscured by radiating, coloured patterns and psychedelic, spiky outfits designed by Belgian artist Tom Van Der Borght.\u003c\/p\u003e\n\u003cp\u003e“At my age, at least for me, there's a ‘don't give a shit about what people think’ attitude that kicks in,” Byrne says. “I can step outside my comfort zone with the knowledge that I kind of know who I am by now and sort of know what I'm doing. That said, every new set of songs, every song even, is a new adventure. There's always a bit of, ‘how do I work this?’ I've found that not every collaboration works, but often when they do, it's because I'm able to clearly impart what it is I'm trying to do. 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It goes unstated that the record was released in an atmosphere not quite synonymous with peace, but the group unquestionably want to dance, spending nearly half of this lengthy record grooving to a neo-disco beat. To approximate the pulse of a mirror ball, Belle \u0026amp; Sebastian hired Ben H Allen, a producer best known for his work with the modern psychedelic troupes Animal Collective and Washed Out, a decided shift away from the exquisitely sculpted miniatures that populated B\u0026amp;S' two records with Tony Hoffer, particularly \u003cem\u003eWrite About Love\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf that 2010 album found the band embracing their eccentricities and taking the time to whittle their quirks down to their basic elements, \u003cem\u003eGirls in Peacetime Want to Dance\u003c\/em\u003e finds the group stretching way out, twice taking as long as seven minutes to complete a cut and only once flirting with the three-minute mark. Surely, the grandest formal experiments are the longest tracks - \u003cem\u003eEnter Sylvia Path\u003c\/em\u003e plays like a slyly decadent 12\" mix and \u003cem\u003ePlay for Today\u003c\/em\u003e, featuring Dee Dee Penny of the Dum Dum Girls, is a duet with de facto leader Stuart Murdoch -- but even the relatively concise \u003cem\u003eThe Party Line\u003c\/em\u003e bears a heavy four-four thump, and \u003cem\u003ePerfect Couples\u003c\/em\u003e percolates with polyrhythms previously unheard on Belle \u0026amp; Sebastian's records. Next to these brazen departures lie a few songs where flashy production tricks are grafted upon pleasingly familiar B\u0026amp;S forms (the hard swing and fuzz of \u003cem\u003eAllie\u003c\/em\u003e, the analog whine on \u003cem\u003eThe Power of Three\u003c\/em\u003e, the Motown bounce of \u003cem\u003eThe Book of You\u003c\/em\u003e), along with reassuringly meditative ballads and the remarkable \u003cem\u003eThe Everlasting Muse\u003c\/em\u003e, which takes a sharp left turn from jazz to woozy folk. This is the sound of a band that's growing fearless in middle age, and while the record occasionally does drag - all those long songs push it over an hour, but the sequencing makes it feel even longer - there's also a thrill hearing a band unafraid to stumble.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/46qAI9wnaEWwN6fwiGQ8k5?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52567675142408,"sku":null,"price":31.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/ole-1056_belle_sebastian-girlsinpeacetime.webp?v=1759760060"},{"product_id":"bar-italia-some-like-it-hot-limited-edition-on-transparent-turquoise-vinyl","title":"Bar Italia - Some Like It Hot (Limited Edition on Transparent Turquoise Vinyl)","description":"\u003cp\u003e\u003cem\u003eSome Like It Hot\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis the new album by London three-piece bar italia – on Matador – and certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.\u003c\/p\u003e\n\u003cp\u003eThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).\u003c\/p\u003e\n\u003cp\u003eThe cultivation of their sound, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSome Like It Hot\u003c\/em\u003e, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy, eye-contact-avoiding band, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe, with headline performances from Istanbul to Tokyo, sold-out multi-night stints in New York and Los Angeles, and festivals including Corona Capital, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSome Like It Hot\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. A pining for tangibility abounds: “just show me the face that you've been trying to hide”, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”, Fenton sings on ‘rooster’, while on the 12-string new wave majesty of ‘Lioness’, Fehmi states, “You have no idea what I can do for you when I’m in this mood”.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/2CVovXC4S92eRgjtZazNEU?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52634558202120,"sku":"OLE2177LPE","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Bar_Italia_-_Some_Like_It_Hot_-_2025.webp?v=1760630046"},{"product_id":"bar-italia-the-twits-limited-edition-on-silver-vinyl","title":"Bar Italia - The Twits (Limited Edition on Silver Vinyl)","description":"\u003cp\u003ebar italia are the London based three-piece of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton. They release their second full length of 2023,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Twits\u003c\/i\u003e, less than six months after their acclaimed Matador debut,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTracey Denim\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eThe Twits\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded by the trio over eight weeks from February 2023 in a makeshift home studio in Mallorca, and was mixed by Marta Salogni. It finds bar italia’s economical yet evocative songcraft taking raucous, mystic, unkempt, occasionally sinister, and wholly committed turns. Songs like “my little tony”, with its in-the-red riff and excitable hooks, the cathartic four-on-the-floor of ‘world’s greatest emoter’ and the festival tent psychedelia of “Hi-fiver” need little in the way of exposition – these are exhilarating rock songs, if wayward and strange.\u003c\/p\u003e\n\u003cp\u003eOther moments see the band’s increasingly signature, three-act mini-dramas moving into previously uncharted territory. Cristante, Fehmi and Fenton can each manifest a different melody, mood, and cadence – at times overlapping and linear, at others unexpectedly divergent – often within the space of thirty seconds, a tag team rooted in shared language and kinship. “Jelsy”, for instance, plays out like a conversation between friends over wistful, buzzing country blues, the alternating voices at points comforting, wry and hopelessly yearning. The sinuous, slow-burning waltz of “twist” stands out in its bare lyricism and seems to invite each band member’s individual take on a confessional.\u003c\/p\u003e\n\u003cp\u003eWhile\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTracey Denim\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas notable for its compact 2-3 minute compositions, horizontal and open-ended tracks like “Shoo” ebb and flow, moving from reptilian dive-bar soloing to a palpitating two-note piano coda. ‘glory-hunter’ takes playful twists and turns before ending up somewhere entirely different from where it started. “Real house wibes (desperate house vibes)” and “que surprise” imply sleepless, noirish misadventure, while at the other end of the light spectrum, “sounds like you had to be there” features some of the band’s most sweetly optimistic musical gestures yet. Closer “bibs” is a rare instance where all three can be heard in unison, as a procession of ghostly chords and lacerating feedback bookends the group’s most adventurous and rich set to date.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4E6TSZ1yHQ29TRvp8GiPv0?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52693698019592,"sku":"OLE2000LPE","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a4137769650_10_637a7249-de64-4b35-b036-3579eabbf752.jpg?v=1761575346"},{"product_id":"kim-gordon-the-collective-black-vinyl","title":"Kim Gordon - The Collective (Black Vinyl)","description":"\u003cp\u003eRecorded in Gordon’s native Los Angeles, \u003cem\u003eThe Collective\u003c\/em\u003e follows her 2019 full-length debut \u003cem\u003eNo Home Record\u003c\/em\u003e and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4j9UADX3wZtXWolDNT3y3x?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52781761822984,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Kim_Gordon_-_The_Collective_-_2024_cfbd0c2a-7733-40af-984b-de4bde139011.webp?v=1762881990"},{"product_id":"mdou-moctar-afrique-victime-black-vinyl","title":"Mdou Moctar - Afrique Victime (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eWith \"Afrique Victime\" the prodigious Tuareg guitarist and songwriter rips a new hole in the sky – boldly reforging contemporary Saharan music and “rock music” by melding guitar pyrotechnics, full-blast noise, and field recordings with poetic meditations on love, religion, women's rights, inequality, and Western Africa’s exploitation at the hands of colonial powers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf \"Ilana\" was a late ’60s early ’70s ZZ Top and Black Sabbath record – \"Afrique Victime\" is mid-’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band's hypnotic rhythm section are on awe-inspiring display “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser-known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars, which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Ya Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Afrique Victime\" sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3ZZMK1Hd8E9Uzj1Tycdlf2?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52791677780232,"sku":"OLE1614LP","price":27.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a0967337603_10.jpg?v=1762973451"},{"product_id":"pavement-crooked-rain-crooked-rain-black-vinyl","title":"Pavement - Crooked Rain, Crooked Rain (Black Vinyl)","description":"\u003cp\u003e\u003cspan\u003eTuneful without being soft, confident without being pompous, hip without being inaccesible, Crooked Rain, Crooked Rain was a huge leap for Pavement up the rock and roll evolution cycle. They may have gained some pop smarts, but a casual listen to the dissonant guitar solo of Cut Your Hair proves that the seeds planted with 1989’s first Slay Tracks EP have come to their logical fruition. Stephen Malkmus and co. created an album that neither short-changed their status as prominent indie noise-makers, nor stunted their growth as a musical ensemble. Thus, though the inspired eccentricity is toned down – an instrumental tribute to fellow Stockton-ite Dave Brubeck being the closest thing to their early quirkiness – this is the most consistent set of stubbornly catchy songs ever. From the odd tunings and drunken AC\/DC riffing of Silence Kit – with its somber lyric of leaving the urban life behind – to the epic closing of Fillmore Jive – which begs us to say ‘good night to the rock and roll era’ Crooked Rain is an album of short stories, full of irony, wit, and hooks.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1XFNz6KIvLyIsLFOiLRKqP?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52802509078792,"sku":"OLE0790","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a1482387098_10.jpg?v=1763169088"},{"product_id":"horsegirl-phonetics-on-and-on-black-vinyl","title":"Horsegirl - Phonetics On and On (Black Vinyl)","description":"\u003cp\u003eHorsegirl - the New York-via-Chicago trio of best friends Nora Cheng, Penelope Lowenstein, and Gigi Reece - have released their second album. Produced by Cate Le Bon and recorded at The Loft in Chicago, the band’s original and sonic home, \u003cem\u003ePhonetics On and On\u003c\/em\u003e is an exploration of the lines between pop, minimalism, and playful experimentation.\u003c\/p\u003e\n\u003cp\u003eSince the release of 2022’s Versions of \u003cem\u003eModern Performance\u003c\/em\u003e, much has changed for Horsegirl. In the fall of that year, they relocated to New York, where Penelope and Nora were to attend NYU leading to the first time the trio had written music outside of Penelope's parents' basement. You can hear the push in a new direction by virtue of their new environment, but through this time of unparalleled change, the band turns inward.\u003c\/p\u003e\n\u003cp\u003eHorsegirl returned to Chicago to record in January 2024, finding focus and intimacy in the studio that can only arise when it's simply too cold to step outside. Le Bon led them into new sonic territories highlighting the inventive nature of these songs. New tools help bring this world to life; violins, synths, and gamelan tiles are all woven into the record. The songs are a testament to experimenting with space and texture while maintaining a pop song at the core. All the while, a confident simplicity brings the band's songwriting ability to the forefront.\u003c\/p\u003e\n\u003cp\u003eIt’s hard to imagine any of these songs being written by anyone but Nora, Penelope, and Gigi. Horsegirl write with unanticipated honesty, leading us through scenes of girlhood and youth. These are moments of their lives. The indelible truth is that Horsegirl is a band of best friends; being around them you can see that love in their eyes and it is always a joyous thing to witness. It’s a love that is ever-present in \u003cem\u003ePhonetics On and On\u003c\/em\u003e as tenderness reverberates back and forth across the recording.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/7C51cbjlLSILLTMVnxbrOc?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":52971699962120,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/Horsegirl_-_Phonetics_On_And_On_-_2025.webp?v=1765732475"},{"product_id":"lifeguard-ripped-and-torn-black-vinyl","title":"Lifeguard - Ripped and Torn (Black Vinyl)","description":"\u003cp\u003eThe youthful trio of Asher Case, Isaac Lowenstein, and Kai Slater have been making music together since they were in high school, nearly a quarter of their lives. Noisy and immediate, cryptic but heartfelt, they draw inspiration from punk, dub, power-pop and experimental sounds, and bring them all together in explosive inspiration.\u003c\/p\u003e\n\u003cp\u003eOver their two prior summers on Matador, Lifeguard’s EPs carefully documented the band’s early, earnest, studio explorations. But their tremendous live shows, anchored by Lowenstein’s rock-steady backbeat, hinted that something greater was waiting in the wings. On \u003cem\u003eRipped and Torn\u003c\/em\u003e, the barbed-wire sound frames Slater and Case’s newly rich two-part harmonies and collagiste lyrics. Producer Randy Randall (No Age) captures a claustrophobic scrappiness that conjures the feeling and energy of the house parties and live shows, where ears are easily overwhelmed, and ragged improvisations connect with the same force as melodic hooks.\u003c\/p\u003e\n\u003cp\u003eThe band remains a singular and intimate space where freedom, noise, and melody find visceral form. “\u003cem\u003eThe physical element is something we’re all very together on,\u003c\/em\u003e” explains Slater. “\u003cem\u003eThe immediacy of making music. 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The style of music is an eclectic blend of folk, rock, shoegaze, electronic, and what can be widely termed experimental.\u003c\/p\u003e\n\u003cp\u003eYo La Tengo had already been slowly growing into their sound for over a decade by the 1997 release of their revelational eighth album, \u003cem\u003eI Can Hear the Heart Beating as One\u003c\/em\u003e. Their guitar-based pop was steadily finding its legs before this, as the band moved toward increasingly dreamy productions on albums like \u003cem\u003ePainful\u003c\/em\u003e and \u003cem\u003eElectr-O-Pura\u003c\/em\u003e. The 16 tracks that made up the ambitious and epic \u003cem\u003eI Can Hear the Heart\u003c\/em\u003e found the group stretching out their whispery vocals and deceptively straightforward pop approach to encompass a variety of unexpected styles.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3V18DIKvRuwdxc2LE4wuac?utm_source=generator\" width=\"100%\" height=\"352\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":53149964402952,"sku":"OLE2220","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0666\/4581\/9656\/files\/a2356030867_10.jpg?v=1768598758"}],"url":"https:\/\/shopmusicandriots.com\/collections\/matador\/matador.oembed?page=3","provider":"Music And Riots ","version":"1.0","type":"link"}